Egyptian Art's Influence on the 1920's development of 'Art Deco' and Contemporary Interior Design Today
The triumph of art over nature. Thus Egyptian interior decor, art, and design may be contrasted with the art of Greece and Rome during the ancient, classical era. This triumph of art over nature as exhibited in Egyptian art and design, however, did not merely speak to the fashioners of this national language of art. It was to later experience a resurgence during the American 1920's and the period's manifestations of Art Deco, as spawned by the capitalist, modern, and standardized qualities of that period's art and culture. The ethos of standardization and commercialization in contemporary, popular interior design of course still exists today in the world and cityscapes around us, and thus shows the continued and lingering influence of this ancient form of understanding the human body and the human construction of social space. (Collectics, 2004)
If Greek sculpture attempted to create a realistic portrait of the human body during the Classical and Hellenistic periods of sculpture, Egyptian portraiture is reflected in the contrasting hieroglyphic-like portrayal of the human body in a stylized, rather than a naturalistic way. Rather than seeing what is natural as good and what is unnatural as less artistic, however, it is important instead to consider the function and purpose of this style of Egyptian design, as well as merely compare its lack of naturalness to other forms of art of the period. Egyptian art's unnatural pairing of human and animal parts was...
Domestic interiors is a significant part of our lives because we live and spend a good part of our time indoors. We may love the outdoors, but it also represents the freedom we get from staying indoors and the reality that a good part of our lives are confined within four walls. We sleep, eat and do other activities at home, work in buildings or factories, study in schools and
Architecture through the Ages Mesopotamia Construction in ancient times is second only to agriculture-it reaches back as far as the Stone Age and possibly further (Jackson 4). Before the existence of master builders in design and construction the Code of Hammurabi (1795-1750 B.C.) referred to design and construction as a simple process (Beard, Loulakis and Wundrum (13). Hammurabi was the ruler of Babylon, the world's first metropolis and he codified his
The importance of the previous site to the locals is evidence in the fact that parts of that older building were "built into the terrace wall," ("Aegina, Temple of Aphaia (Building)"). The Temple of Portuna was built of different materials than the Greek temple, out of "tufa and travertine blocks which had been originally been coated with a fine layer of stucco," (Sullivan). What is significant from the context
How does the building address the issue of light? The building, despite its weight and size, is lacy and light. It is reduced to a minimum in order to achieve height, much like a giraffe has a thin but strong neck, or a butterfly has a delicate lacework structure to support its wings. Does color play a role in the building's design? The building is best seen at night in silhouette, so color
Art Deco A long era of colonialism and imperialism led to a confluence of cultures at the start of the twentieth century. Art and design motifs could borrow from a perceived "exotic," an aesthetic from non-European cultures including those of Africa, India, the South Pacific, and the Far East. The exotic made its way into Art Deco art, architecture, and design in terms of shapes, forms, motifs, colors, and materials. Especially
Staircase ramps which are comprised of steep and narrow steps that lead up one face of the pyramid were more in use at that time with evidence found at the Sinki, Meidum, Giza, Abu Ghurob, and Lisht pyramids respectively (Heizer). A third ramp variation was the spiral ramp, found in use during the nineteenth dynasty and was, as its name suggests, comprised of a ramp covering all faces of the
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