Swarovski & Luxury Fashion
Experiential Marketing
Use of 360 Degree Marketing by Swarovski
Merits of Experiential Marketing
Three Ds of Experiential Marketing
Strategic Experience
Swarovski: A Transition from Traditional Marketing to Experiential Marketing
Emotional Brand Attachment
Brand Identity
Self-concept
Brand Luxury
Brand Attachment
Brand experience
Brand Prestige
Importance of Social Media for Luxury Brand
Translation of Unique Brand Elements to Social Platforms
Adapt Business Practices to the Online Business Model
Swarovski is a leading name when it comes to global luxury brands. It has managed to rise above its actual self and makes its customer perceive it as an actual personality. The marketing techniques used by it have made it operate differently than the other luxury brands and that makes it a prime choice of fashion lovers globally. Its use of experiential marketing, social media and exploitation of customer's brand attachment has made it attract and retain customers from all fields of life.
Swarovski is personified as a superficial self which is all charismatic, luxurious, and stylish and chick. Innovation with style is what Swarovski stands for. Similarly, when the customer wants to be seen, shine out or feel like a celebrity, Swarovski would be the ultimate choice of the consumer. The purpose of this literature review is to understand how new marketing concepts are integrated by Swarovski into its marketing and business development strategies. For this purpose, the luxury brand has been studied with reference to experiential marketing for understanding brand attachment so that a relationship between the identity of the user and brand experience can be established, which is the fundamental concept behind brand attachment. The basic idea of brand self is based on few major marketing concepts such as identity expression, self-concept, brand-luxury, brand attachment and brand experience.
Considering the example of Swarovski, one can visualize how the brand has put up a claim of glittering and illuminating the lives of its consumers with luxury and how its products are acting as a live definition of it. Where crystals are becoming synonymous with the name of Swarovski, more or less every product presents the same notion. Although few critiques claim that this has bring monotony to the portfolio of Swarovski. In order to combat that, the brand has integrated innovation of high quality into its product giving it a name and character of a highly luxurious brand.
Swarovski' presence over social media shows that the marketing management of this brand is up-to-date. It claims to provide its customer with a chance to live like a celebrity. Other than just the brand, it also focuses on maintaining a customer relationship which provokes its representatives, managers, and consultants to make the customers feel the luxury attached to this brand. For this purpose, the organization allows its employees to operate in a similar setting so that they can deliver the actual experience to their customers.
Considering the current portfolio of Swarovski, one can understand the merits that experiential marketing has to offer. Since the main idea is to engage the customer into an experience which involves a degree of rationality and logic paired with emotional desires. Satisfaction attained at both the areas allows the customer to become loyal to the brand. The merits offered by this marketing strategy involves giving new life, perception or name to a dying brand, introducing innovation into existing one, making a corporation or a brand known by a certain perception, to provide differentiation and have an edge over the competitors offering homogeneous products.
Swarovski allows its consumer to differentiate from those who use other items offering similar utility making consumer mirror the image projected by it which stands for exclusivity and glamour. A distinguished brand identity makes addition to the self-concept of the consumer respecting the consumer's desire of covetousness and appearance. In the success of Swarovski, we cannot forget the impact of social media forces. It is the power borne by the entertainment world which affects the minds of today's consumer making him / her aspire for the same look as the famous singer or actor.
In relation to providing a brand experience, Swarovski has moved from mere show piece and jewelry manufacturer over time to a complete definition of fashion. It has ventured into apparels, sun-glasses, men accessories, and everything that defines fashion and luxury. This is the reason why a buyer prefers buying Swarovski since it makes them feel the prestige that is associated...
"The second step is to develop a touch-point chain and gauge those with the greatest impact. The third step is to turn findings into project priorities. The final step is to implement and monitor." (Atwal and Williams, 2009 P. 343). Uche (2009) provides different argument by pointing out that internet experience create compelling, enjoyable, memorable, and positive experience for online shoppers. The author develops web experience model to demonstrate the
Consequently, marketing efforts become more and more important. Glyn Atwal and Alistair Williams (2009) for instance argue that the creators of luxury products have to use marketing efforts to identify new customers' needs even before the customers become aware of these needs. In other words, they have to "stay in front of luxury consumers" (Atwal and Williams, 2009, p.338). And in order to do so, the luxury products manufacturers strive
The luxury brands in this age of fierce and intense competition perceive and believe that the conventional methods of advertising and promotion are only an itinerary that creates the knowledge and awareness amongst the consumers. Nevertheless, targeted marketing (that represents the emotional driving force) is becoming the primary and fundamental aspect of concern that many of the brands are focusing in order to create emotional engagement with the consumers that
Emotional Drivers Swarovski The motives behind consumer decisions to purchase luxury brands like Swarovski have been studied in a number of researches. The general findings of these studies have been that these motives are largely emotional, and that they are evolving as the composition of the luxury market segment changes. De Mooij (2005) defines emotion as an "interaction between cognition and physiology." The characteristics of emotion that or of greater concern
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