This was done by various means and especially by constructing a poor mythical picture of the Orient and then forcing all Oriental societies to fit that image. The same treatment was meted out to Japanese societies and other societies of the East. India was the land of snake-charmers and spices for as long as we can remember until India burst out with a brand-new identity by becoming a leader in science and technology. However to this day, many people would connect India with its Oriental image and those who visit the land usually do so because of the mythical picture they have constructed in their minds. India is no such place and it never was. But presenting it as an exotic and mythical land west had no desire to accentuate the beauty or charm of the land but instead it simply wanted to develop an unmistakable contrast between East and West so the latter would always be able to maintain its dominance by presenting itself as the more enlightened and educated of the two societies. The same treatment was then accorded to the Arab societies. And with Muslims, westerners did even more than simply construct a mythical image. They also gave a negative tone. Said thus says, "What I do argue also is that there is a difference between knowledge of other peoples and other times that is the result of understanding, compassion, careful study and analysis for their own sakes, and on the other hand knowledge -- if that is what it is -- that is part of an overall campaign of self-affirmation, belligerency and outright war." ("Orientalism Once More," 2003) In many western novels and...
Did the writer actually ask the people if they were how he had assumed them to be? Did he try to run his analysis of what he observed with by those who were discussed to see what the truth really was? Said raises serious objection to such irresponsible depiction of Oriental societies: "There is very little consent to be found, for example, in the fact that Flaubert's encounter with an Egyptian courtesan produced a widely influential model of the Oriental woman; she never spoke of herself, she never represented her emotions, presence, or history. He spoke for and represented her. He was foreign, comparatively wealthy, male, and these were historical facts of domination that allowed him not only to possess Kuchuk Hanem physically but to speak for her and tell his readers in what way she was "typically Oriental." (Orientalism, p. 6)
Orientalism The work of Edward Said and Thomas Mitchell provides a unified insight into the way that the Occidental mind has succeeded in 'othering' and marginalizing the reality of the Orient. Orientalism, as suggested by Said is a form of representation that interprets and re-presents the other in a way that distorts and liminalizes the meaning of the Orient, creating a false mystique rather than reality. In his work Orientalism Said points
However, he goes further in his analysis of the world as exhibit. He suggests that the way in which the West represents realty as an objectified "picture' in essence distorts and separates us from reality. This is in essence is the stance taken by Martin Heidegger in his critique of Western Metaphysics and dualistic thought. In his analysis of world-as-exhibit Mitchell states that. "The consolidation of the global hegemony of
The book is set in a gulf country that is never actually named, but is suspected to be Jordan around the time of the 1930s. In the novel, the Bedouin residents of a little oasis and community called Wadi al-Uyoun have their lives forever changed when Americans come to their tiny area and discover that there is oil there (Munif, 1989). Instead of having just one person in this
Orientalism, then, allowed the West to promote its political propaganda of colonizing Eastern societies. This propaganda of colonizing Eastern societies was legitimized by the West's insistence that the East needed to progress in the same way that it did (West) right after the economic success of the Industrial Revolution. Colonization was the West's method of "rehabilitating" societies it considered as a 'laggard' -- a society that, in the West's view
This statement is about how they are surpassing cultural barriers. From this point-of-view their gesture is one against racism. Other then that it is safe to say that the lovers of belly dancing are performing the act in an area which has absolutely nothing to do with politics. Women may view it as an art and a cultural manifestation, but as they perform it they most likely do think about
These perceptions form the basis of various ideological stances that are translated into policy and action. In the modern context therefore there is a dangerous continuation of the myth that has grown up around the stereotypical discourse of Orientalism. The link between the construction of Orientalism and contemporary politics is clearly referred to in the book: My contention is that Orientalism is fundamentally a political doctrine willed over the Orient
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