This may not have been the lesson of the drama, but it certainly reminded me of this fact.
In another way, I find the story unsettling in that it indicates how oftentimes the minority person is punished solely by virtue of his being a different color, or looking different in some way (Editors of Salem Press). It is not only the different color that causes punishment and social penalization. Other external, such as age, handicap, and looks can penalize one too. These are externals as Clay points out to Lula: "You really don't know anything about me." Meaning: You don't know anything about the real me. You are judging me according to facts or myths that you mentally construct upon. The real 'me' slips by you unexamined and ignored. This may be a lesson to those who engage in stereotypes. Doing so is harmful not only to victim but also to perpetrator since the perpetrator ends up drawing irrational and often faulty conclusions, slipping a deceptive mask onto the victim when the real 'me' -- the personality of the victim could have accorded the perpetrator numerous benefits had he only avoided the stereotype.
The drama can also provide a message to minorities who attempt to fit in with the White people around them (or with the dominant race) at the risk of toppling their heritage and racial values. The message that Lula imparts loud and strong is that one can never succeed in brushing off one's heritage and roots. Whether rightly or wrongly, people inevitably categorize the other according to such externals and, therefore, rather than concealing them, the person of minority race should embrace his race and proudly...
As a character, Celie's own experiences have not engaged her on the same levels that Shug's sexual experiences have. This is to say that Celie's life and collection of experiences have not been personally gratifying or freeing in the way that Shug suggest sexual experiences should or can be. To Shug, sex is more about the personal gratification and the freedom of bodily and emotional expression that comes with
Clarence-Smith 6) In so doing the commodity market and global trade developed a new history for chocolate, one that makes it a very fitting liberator in the small French village depicted in the film. This new history is a story of sweetness and power, that is, the power to define what constitutes refined taste (Mintz 1985). All these accounts relate how Spanish nuns or monks were the first to domesticate a bitter,
Congress had passed the Twenty-fifth Amendment in 1965 saying that the President could hand over his authority for the interim or the Vice President and cabinet could pronounce him unfit. But it left unclear the definition of what constituted a disability (the Ronald Reagan Assassination Attempt, 2008). The Twenty-fifth Amendment was never put into practice after the Reagan assassination attempt, despite the President's incapability. Aides were concerned that handing over
Prison systems have long been a topic of debate within the realm of criminal justice. There are many opinions concerning the proper implementation and management of prison systems (King & McDermott 1995; Prison Inmates Pay for Their Upkeep 2004). The purpose of this discussion is to examine prison systems and the impact of prison systems on inmates' adjustment and behavior. Institutionalization A central point of any prison system is the level of
His own work was also published in a wide variety of literary magazines several of which were prestigious and nationally respected. His publication and involvement in publishing impressive accomplishments for an African-American man in the United States in the 1960's (Woodward, 1999). In 1957 he moved to Greenwich Village in New York and became interested in both in jazz and the Beat Movement. The following year he began the Totem
This is an apt title because of the gender inequality that the mid-1960s can be associated with, especially the depiction of either sex in films. Madeleine and her friends are depicted as socially unaware conformists who only live in the moment and don't care for the deeper meaning of life and so embrace popular culture. In contrast, Paul and Robert are seen as the opposite: nationalists, idealists, philosophers. However, as
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