¶ … Fences (Wilson, 1986) August Wilson, one of America's preeminent black playwrights presents the mercurial nature of one, Troy Maxson. Not much effort is needed before the real and metaphorical fences become evident. Delving deeper into Troy's character unearths the fence that distinguishes his "makeup": vacillation between a sober, responsible person from one that is self-destructive. Troy Maxson, a son of a share-cropper, leaves the deep-south, escaping from his father's brutality. He reaches Pittsburgh where a black man does not find a place among a burgeoning, blue-collar, middle class. He lives on the streets. He steals. In this part of his life he finds a woman, gets married...
He then spends fifteen years in jail for stealing. Being rehabilitated, he plays baseball and becomes a star in the Negro Leagues -- though no note-worthy financial compensations are forthcoming; he considers himself better than "Jackie Robinson." Eventually, he marries Rose and has another son, Cory. Troy works as a garbage collector; he often complains that he would be happier driving the garbage truck (eventually does) though he does not have a driver's license. He lives angry that he was not allowed to play baseball with whites despite his talents. Yet he ensures that Cory, a promising football talent, does not pursue his dreams. His brother Gabriel, a World War II…
Drama Poetry How is the more direct performative aspect of drama and/or poetry reflected in these forms? (Consider for example, each genre's uses of literary structure, language, technique, and style.) In Rupert Goold's Macbeth, the language and literary structure are following the same lines from the Shakespearian play. Yet, the way the characters are speaking and performing their roles helps the individual to understand the setting and background of what is occurring.
For instance, Constance's supervisor, Professor Claude Knight, frequently plagiarizes her carefully researched and written work. Later, after stealing from her, Knight runs off with a more attractive graduate student, very unlike the Shakespearean heroes Constance is so enamored of, such as Romeo. But because of the heightened absurdity of the pun-ridden scholarship of Constance, and the ugly nature of Knight, the audience does not necessarily see these events as
The tension of the opening is never fully dissipated even as Achilleus shows his hospitality and makes certain promises to Priam about holding off the fighting for twelve days while the Trojans bury the son of their ruler. However, just as it appears that the situation is concluded, the god Hermes comes to Priam and warns him to leave now because if the Greeks find him asleep in the
According to Flynn (2004), rehearsals and performances of CBRT scripts can help increase students' abilities to read the text fluently. "Fluent readers read aloud smoothly and with expression. They recognize words and understand them at the same time. Reading educators emphasize the importance of fluency -- the ability to read a text accurately and with the appropriate speed. Because there is a close relationship between fluency and comprehension, fluent readers
Origin and Appeal of Drama A generally accepted theory is that drama's origins lie in prehistoric human beings and their rituals which contained music, dance, masks, costumes, a specific performance area, and a division between audience and performance. Later, in Egypt about 4,000 BC texts were written on tomb walls with plot, characters, and stage directions for enacting the body's resurrection. Between 3,000 and 2,000 BC other plays developed which
drama "Oedipus the King," by Sophocles. Specifically, it will identify and apply terminology used in the play, and identify the term "irony." OEDIPUS These literary devices are important parts of drama. exposition - Exposition is the beginning of the play which sets the tone, theme, mood, and setting of the play. In "Oedipus the King," the exposition lists who is on stage, who is speaking, and describes the royal palace in Thebes. rising
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