Lorax
Probably the most ideological and political children's stories of Theodore Seuss Geisel (Dr. Seuss), The Lorax is a story of industrial capitalism gone insane until it destroys the entire natural environment. In fact, capitalism as symbolized by the greedy and corrupt Once-ler, is the villain of the story while hero is the Lorax, who speaks for the forest, skies, water, plants and animals that the system is destroying. Like capitalism in the 18th and 19th Centuries, the Once-ler started off small scale, chopping down one Truffula tree and selling the products in a little shop, but eventually his greed becomes an obsession and he builds superhighways and a factory employing 100,000 workers. For the Once-ler, all of this is progress, and he ignores the repeated warnings of the Lorax that the entire environment is dying, and that the birds and fish are becoming extinct. Once-ler only cares about his profits and rising stock prices, however, and only when the last of the Truffula trees are gone and the environment is ruined does he finally realize the evil he has caused. Unfortunately, the damage is done, however, and all he can do is warn the small boy who comes to visit him not to repeat the same mistakes. He presents him with the last Truffula seed and instructs him to plant a new forest. This allegory of industrial capitalism does not really have an optimistic outcome, since industrial civilization simply destroys nature and uses up all natural resources until it fouls the air, soil and water past the point of no return. Whether the boy and his generation will have the ability or even the willingness to repair all the damage and ensure social and economic policies are changed to avoid a repetition of such mistakes is not a question The Lorax can answer.
This grim and pessimistic story begins with the boy walking into a ruined environment where the Once-ler lives alone in the middle of a post-industrial wasteland. Nothing is left to him but an empty factory under a sky filled with smog, and Dr. Seuss compares it to Lake Erie was completely lifeless by 1971, pollution having destroyed it. With the ecology wrecked, "the wind smells slow-and-sour when it blows, and no birds ever sing except old crows" (Geisel 1971). From the pictures in the book, the land, buildings and sky are all darkened from the smog and in this blackened environment the Once-ler lives alone in a ruined mansion. Few people ever visit him, not even his relatives, but in return from a small fee he is willing to tell the boy his story. Essentially, the former capitalist magnate lacks any human attachments, and all his relationships were determined by money and exchange rather than moral or emotional concerns. Indeed, his relationship with the natural environment was the same, and he regarded it merely as an inanimate thing to be exploited and used up.
In this sad Street of the Lifted Lorax, he tells the boy of a time when the grass was still green and the Truffula trees still existed. Long ago, Dr. Seuss notes, "the grass was still green, and the pond was still wet, and the clouds were still clean, and the sounds of the Swomer-Swans rang out in space" (Geisel 1971). When he arrived on the scene in a broken-down cart, the Once-ler was hardly a great capitalist but more like an itinerant peddler. He did not stop to marvel long at the beauties and harmonies of nature, though, and his narrow and greedy mind simply began to concoct schemes for profiting from it. Once-ler had been searching all his life for these trees, but when he chops down his first one, he sees the Lorax, who speaks for all the trees -- for nature. "What's that thing you made out of my Truffula tree?" For the Once-ler, who is "crazy with greed," he can makes socks, shirts, carpets and bicycle seat covers...
Also, the wariness of industrial America and how their greed will affect everyone in the long-term. Theodor Seuss Geisel had many cartoons back in the 1940's that many in the general public found highly offensive. However, many people also saw them for what they were; a tool for enlightenment of human kind. Many of Dr. Seuss' written and illustrated books made over 65 years ago, continue to sell today.
Lorax Review MOVIE: The Lorax, 2012 film based on Dr. Seuss book and Directed by Chris Renaud and Kyle Balda Viewed 3/10/12 Regal Augusta Exchange Stadium, 1144 Agerton Lane, Augusta, GA I was initially hesitant about going to see what I perceived as a "children's'" movie until two friends suggested that this was a movie with many layers of meaning. I did a bit of research on it, and found that it looked
Introduction to Sociology: The Lorax 1 & 4 The aspects of capitalism that I personally appreciate are the ideas of a free market and the idea that anybody can bring their goods to the market place. I appreciate the fact that in a capitalistic society, there is the opportunity for people being able to compete in the market with products, letting consumers choose from among the lot that which they think is
Mazda Is the Mazda Lorax ad good? The Mazda CX- 5 SUV was advertised in 2012 with a tie-in to the Lorax movie. The advertisement promotes the SUV using Lorax themes. The Lorax is a Dr. Seuss book that is based around the concept of corporate greed creating environmental degradation, and the book has a strong environmentalist message. The ad seeks to improve the environmental perception of Mazda, loosely promoting the company's
motion picture industry has played a pivotal role in the lives of many Americans. Films have captivated audiences around the world with their information, cinematic, acting, and story. Many films illuminate a particular aspect of society that needs to be altered for the better, while others simply entertain with an intense story. Feature films, especially those marred with fantasy, suspense and intrigue are very popular among the viewing population
16). In comparing a number of literary elements in one story, Smith and Wiese (2006) contend that at times, when attempting to transform an old story into a modern multicultural version, cultural meanings of the original story may be lost. In turn, the literature does not subject the reader to another culture. For instance, in the story about the fisherman, that Smith and Wiese access, the plot remains similar plot,
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