¶ … Doll's House" by Henrik Ibsen, and "Trifles" by Susan Glaspell. Specifically, it will compare and contrast Torvald and his attitude toward Nora in the play, to the men's attitudes toward women in the play "Trifles." Both these pieces show women treated simply as idiotic "things" by the men in the pieces, but the women are clearly smarter than the men are, and it is the men who end up looking idiotic in the end.
MEN'S ATTITUDES TOWARD WOMEN
Trifles" tells the tale of a woman driven to the "end of her rope" by a spiteful, mean-spirited man, but it is also a story for all women, celebrating how they can band together in a crisis. Mrs. Hale and Mrs. Peters sense immediately what Mrs. Wright was dealing with, and they attempt to protect her when the men begin to criticize her housekeeping skills. They astutely note, "MRS. HALE. No, I don't mean anything. But I don't think a place'd be any cheerfuller for John Wright's being in it" (Glaspell). While the men are still fumbling around looking at things and speculating, (and appearing increasingly idiotic), the more introspective and sensitive women have solved the crime, and are on the way to saving Mrs. Wright from paying for the murder. "A Doll's House" relates the story of Nora, a woman far ahead of her time in the Victorian era, who cannot live under her husband's thumb any longer, and must strike out on her own, even if it was not the thing to do in Victorian society.
Trifles" revolves around the difference in understanding between men and women, as does "A Doll's House." Both pieces emphasize the gap...
Linde: Come, come- Nora: - that I have gone through nothing in this world of cares. Mrs. Linde: But my dear Nora, you have just told me all your troubles. Nora: Pooh! -- those were trifles (lowering her voice) I have not told you the important thing (20). We see Torvald's side of the deception in Act Three after he learns of Nora's forgery and Krogstad's ability to expose her. The conversations Thorvald
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