She has to hide the macaroons that she purchases and wipe the evidence from her mouth when she asks him to come see what she has bought. At first, Torvald replies, "Don't disturb me," (Ibsen 1) and closes the office door. He then returns with a pen in his hand, questioning her. "Bought, did you say? All these things? Has my little spendthrift been wasting money again?"
In addition, Torvald makes statements like, "That is like a woman," (Ibsen 2). His attitude toward women and toward his wife in general is rather traditional and formal, and Nora does not appear to be that way. Breaking free of him seemed to her to be the best thing to do under the circumstances. In the end, Nora chooses to leave her husband and her life behind, which is only a fitting balance for the reunion of Mrs. Linde with her husband.
3. Manipulation is a central theme throughout the play. One of the more obvious instances of manipulation is that of Torvald toward his wife. He manipulates her in a traditional sense, as he plays the traditional role of a husband at that time. Referring to her as his "squirrel" and "lark" and withholding money are just small indicators of his manipulation. He also sets rules and rules over her life in a sense, as indicated by his disapproval of her eating macaroons, spending money on herself, and other things.
The relationship between Nora and Krogstad is also based on manipulation. He knows that she forged her father's signature, and knows the real source of the money she borrowed for their trip to Italy. When his standing in the community is jeopardized due to acts of forgery, Krogstad resorts to desperate measures and blackmails Nora into persuading her husband into keeping him on at the bank. He manipulates her by playing on the issue of his sons, saying that, "For their sake I must win back as much respect as I can in the town" (Ibsen 22). He needs to keep his job at the bank that Nora's manipulative husband works...
Doll's House Henrik Ibsen's play A Doll's Housemade him the father of modern literature. His writing showed tragedy and drama in a new and rather modern way. Prior to an analysis of the story at hand, it is only relevant that the plot and main characters are discussed in detail. This story does not revolve around a whole bunch of characters and is based on only a few days. The story
Doll's House and Antigone Sophocles and Henrik Ibsen explore the philosophical discussion of judgment in Antigone and A Doll's House, respectively. In Antigone, the title character questions the right of leaders to judge strictly when she commits treason after burying her brother. The deciding factor in determining Ibsen's characters' fates in A Doll's House is a moral dilemma of the intent behind an act of fraud. Both Sophocles and Ibsen
Courtly Love in Contrast to Romantic Love There is much controversy with regard to the idea of love and perhaps one of the best ways to address the concept would be to consider the wide range of romance texts written throughout the years. While generally used in similar contexts, the idea of love can be seen differently by individuals depending on their perspectives and the environments they are present in. Courtly
Ibsen's a Doll's House as Modern Tragedy The most powerful and lasting contributions to the literature of a given era are invariably penned by bold thinkers struggling to comprehend the ever changing world in which they live. Spanning the 18th and 19th centuries, the European Modernist movement, which was propelled by the authorial brilliance of authors and playwrights such as like the Norwegian Henrik Ibsen, was shaped and inspired by the
Barbie Doll Effects Mattel's top-selling doll could have started a cultural revolution. Barbie could indeed be responsible for shaping gender identity and norms in American culture in particular. The demand for ethnic Barbies and themed Barbies points to the fact that all little girls, whatever their family or cultural backgrounds, are aspiring to be like Barbie. Pop star icons like Brittany Spears and Jessica Simpson bolster the Barbie image ideal. Whether
Audiences can ponder the issue of fate when presented with Oedipus, afterlife when thinking of Antigone, and motherhood and marriage when confronted with Medea. Further, modern plays often offer this type of ending as well. For instance, Tennessee Williams' The Glass Menagerie allows audience members to consider the theme of love and romance, superimposed with family. At the end of the story, audience members must contemplate whether Tom should
Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.
Get Started Now