Lurie realizes he was totally helpless to physically protect his daughter from sexual molestation. As a man and a father, he could not save Lucy from unwanted sexual danger, seemingly confirming what he sees as her apparent distrust and dislike of men.
At first, Lurie feels like he is no longer a man. As an object of romantic fascination, he is growing older in the eyes of women, and his female students rejected him -- one of the reasons he 'pounced' upon his seemingly last chance at love. Lurie's academic career was long failing, but Lucy's rape mean that now he is completely reduced, in his eyes, to an utterly useless being, a man with no power in his body, heart, and even his mind -- a state of inner and outer alienation and disgrace from any kind of social identity.
Ironically, Lurie's specialty is 19th Century Romantic literature, a literature that attempted to celebrate the human capacity for feeling and championed social outsiders. However, the university Lurie taught at, which began as a proper school of learning, was demoted to a technical school by the time he found his desired student. Rather than teach the real words and real thoughts of great thinkers Lurie had to mouth the words enunciated in the Communications 101 handbook, that human beings, with so-called basic training, were easily capable of communicating in society about their feelings and intentions. Lurie could not...
All she does is avert herself: avert her lips, avert her eyes…as though she had decided to go slack, like a rabbit when the jaws of the fox close on its neck (Coetzee, 1999, p. 25). This quotation indicates that the sexual encounter between Lurie and Melanie was forced by him and a grotesque violation of her will -- and body. Most disturbing of all about this quotation and this
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