Dirty Harry
The film "Dirty Harry" revolves around a sniper terrorizing San Francisco. Known as "Scorpio," the sniper tries to extort $100,000 from the city in return for stopping the killing of innocent people. To ensnare the sniper, SFPD Inspector Harry Callahan, also known as "Dirty Harry," is assigned to the case. His new partner is Chico Gonzales. Together, the two are locked in a cat-and-mouse game with the killer.
In the film, Eastwood's character is nicknamed "Dirty Harry" because of his unorthodox and shady handling of cases. More often than not, he uses violence to extract confessions from his victims. In the particular case involving Scorpion, he has little regard for the Bill of Rights, the legal responsibilities that go with being a police officer, and such issues as the Miranda Rights and warrants. It is not that he is not aware of these responsibilities, it is that he simply does not care, and says so in as many words. Matching Scorpio's brutality, Dirty Harry takes matters...
Dirty Harry" Stars in Action Hero -- 1984 Hamlet "Hamlet: The Tragedy of Hamlet, Action Hero of Denmark." This thesis statement or subtitle for Franco Zeffirelli's 1984 movie version of Shakespeare's Danish prince may not be catchy on a box office marquee (although neither is "The Passion of the Christ," for which Gibson is now equally well-known and which did quite well at the box office). However, this appellation is
When the school's annual alchemy fair was staged, Venus Oz was determined to win. "I just know that Perdita pull some dirty, underhanded scheme, and coast upon the reputation of her illustrious mother," mused Oz. The alchemy fairs were held in honor of the great wizardly traditions of the science of turning lead into gold. Students were given the task of safely turning one substance into another in a
Instead of the author's context it is the reader's context that is examined from the feminist perspective […] It is not the intention of this paper to enter into an extensive discussion on the theoretical validity of these different viewpoints. Suffice to say that it is the less extreme and more open -- ended and integrative form of feminist critique that is considered to be the most appropriate theoretical trajectory
, Skolnick and Fyfe, and Walker, that conclude racial discrimination has been found in several policing duties, facilitated by police discretion, including shootings, use of force, arrests, street stops, offense charging, search and seizure, and equality of coverage. Police discretion allows for this discrimination to occur. Skogan and Frydl (2004) concur that police discretion is an increased concern, in relation to racial profiling and discrimination. The authors surmise that pro-active special
One of the authors in the review, in fact details a reporting system that effectively makes the use of force scene an investigated crime scene, where forensic and other evidence, physical and testimonial, is collected to develop a clear understanding of the events as they unfolded. (2005) Some would argue that this sort of method smacks of the police policing the police, and yet the OSCE Guidebook and many
196)." This is what we see during the 1980s to throughout the 1990s cinema with films like Fatal Attraction (Lyne, motion picture film), Predator (McTiernan, John (dir), 1987, motion picture film), the Terminator film and sequels (Cameron, James (dir), 1984, 1991, and 2003, motion picture film), the Mad Max (Miller, George (dir),1979, 1981, and 1985, motion picture) series, and the Lethal Weapon (Donner, Richard (dir), 1987, 1989, 1992, and
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