Kate Chopin’s short story “Desiree’s Baby” overtly and bluntly covers the topic of race relations and identity in America. Even in the pluralistic social milieu of Louisiana, being racially mixed is a taboo. The story also shows how the very concept of racial purity is a joke, a social construct and a manufactured category. Written in third person, the story opens with Madame Valmonde, Desiree’s adopted mother, wistfully reflecting on how she found Desiree. Madame Valmonde then ponders the romance that blossomed between Desiree and Armand, who eventually had the titular baby together. Back to the present moment, Madame Valmonde approaches Armand’s family estate, L'Abri, which is described as a “sad looking place.” The scourge of slavery still leaves its mark on L’Abri. Madame Valmonde’s impressions of L’Abri presage the events that unfold in the story. Desiree also reveals that Armand has the tendency to treat his black servants cruelly, for she whispers to her mother, “he hasn't punished one of them--not one of them--since baby is born.” Yet Desiree notices her husband’s demeanor change, as he becomes more violent with his slaves. Desiree also senses that the household servants are talking behind her back. One day it dawns on her why: her baby looks like a “Quadroon,” a person who is a quarter black. The realization of her baby’s mixed-race heritage drives a wedge between the couple, causing the racist Armand to abandon his wife, and causing Desiree herself to run away with her baby into the bayou. In this manner, Chopin reveals detail after detail slowly and with poignant irony,...
Works Cited
Chopin, K. (n.d.). Desiree’s baby. http://www.pbs.org/katechopin/library/desireesbaby.html
Gilbert, T. (2004). Textual, contextual, and critical surprises in “Desiree’s Baby.” Connotations 14(1-3). http://www.connotations.de/article/teresa-gibert-textual-contextual-and-critical-surprises-in-desirees-baby/
Peel, E. (1990). Semiotic subversion in “Desiree’s Baby.” American Literature 62(2): 223-237.
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