¶ … Home: David Copperfield and Joseph Andrews
Consider the respective namesakes of Joseph Andrews and David Copperfield. Briefly, how much do we know about these two characters? Are they fully developed characters? Are they atypical in terms of their respective novels? What does that information suggest about the respective methods of characterization of Henry Fielding and Charles Dickens?
The naming of the protagonists of the novels David Copperfield and Joseph Andrews is important, as these two characters are, to use Dickens's phrase, the heroes of their own lives. David's birth is filled with portents, from the caul around his neck, to his weak mother whom is a foreshadowing in waxen doll like attitude and form to her son's eventual wedlock with the silly Dora. The younger David becomes a kind of replacement father to his mother, taking the name and place of his ghostly, elderly father whom barely functions as a personality in the book. Even the name of the Copperfield home is from Mr. David Copperfield (the elder)'s fantasy of imagining birds swarming around the roofs, rather than reality.
His sister Betsy Trotwood says that it is typical of her brother to engage in such fantasy, fixating on not on practicality, as a name like Cookery would indicate, but only on the old and empty nests of departed birds. But perhaps the most evident aspect of the departed Mr. David Copperfield's character is the woman he leaves behind, who is barely more than a child, even though he was almost twice her age and of frail health. It seems cruel for an old man to marry so young a woman, particularly if he was in poor health and could not provide for her should he die, but this demonstrates once again the lack of practicality, optimism...
Home A round character has multiple dimensions as a human being, and strikes more than one 'note' in the text -- for instance, the snobbish Mrs. Elton of Emma is a one-dimensional presence in that novel, while Hardy's Bathsheba is contradictory as a real human being, and one cannot predict her likely actions. Retrospective narration is narrated from the point-of-view of a present day narrator, looking into the far-off past of
Home Exam When a critic speaks of the infusion of the didactic spirit into the novel, he or she means the 'teaching spirit' of the novel in either its plot structure, character development, or the way the author philosophically uses the novel to teach the reader, by reflecting upon the good or bad fates of the novel's protagonists. The eminent critic who referred to the didactic spirit of the novel
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