Dante
Of all the people for consideration of placing in Inferno, Osama Ben Ladin is by far the most worthy candidate. He is directly responsible for the death of thousands of innocent men, women and children and has caused unspeakable grief and sorrow, not only in the United States, but around the world. His actions directly led to military intervention in Afghanistan and possibly in Iraq as well. These events have led to the loss of thousands more, with many being civilians unable to escape the death and destruction of war. Ben Ladin is also guilty of betraying the Muslim religion, using it to justify hate, war, and mass murder and has mislead the religious beliefs of his followers. In doing so, he states that God has blessed a group of vanguard Muslims, the forefront of Islam, to destroy America.
There's no question of whether Ben Ladin should to go Hell, but rather a slightly more challenging task of figuring out where exactly in Hell he belongs because he is guilty of so many sins. Dante's Circles in Hell house souls based upon their type of sin, grouped in sin categories of incontinence, violence, fraud and betrayal. Dante ranks these sins based on their evil properties, the closer to the center of Hell a soul resides, the more evil their sin. Based on the structure of Dante's Inferno, Ben Ladin has at least earned in place in lower Hell, The Realm of Violence and Fraud. He has committed every sin that would qualify him for Canto 12, Circle 7, Round 1, violence against neighbors and fellow men, murder, and war making. In this Level of Hell, Ben Ladin would accompany Alexander the Great, Attila...
Dante, Boethius, And Christianity Dante Alighieri, author of the Divine Comedy, of which the Inferno is the first of three books, called Boethius, an early Christian, "The blessed soul who exposes the deceptive world to anyone who gives ear to him." But Boethius was not a non-conflicted Christian, and it seems, neither was Dante, who wrote the Divine Comedy at least partly as a sort of historical-political payback. (For example, in
Inferno by Dante Alighieri The gates of hell are littered with monsters, and the monsters are the gates to the sinners' hearts. In Dante Alighieri's Inferno, monstrosity is not only shown through the punishments of the sinners in each circle of hell; it is also shown in the grotesqueness and violent traits exhibited by each corresponding demon that Dante meets. Cerberus, the Harpies, and Lucifer are just some of the
tracing the relationship of Dante and Virgil based on Robert Pinsky's translation, the Inferno of Dante. Review The Inferno of Dante. Both writers and scholars demonstrate their thinking and polarism in this epic poem. Dante's selection of Virgil to lead him through the underworld is significant unto itself. Robert Pinsky is a distinguished poet and translator of "The Inferno of Dante" (Farrar, Straus & Giroux, 1994). The "Inferno" -- which is the
Images of Refined Love: Beroul's Tristan and Dante's Inferno Love has many faces, earthly and sacred. Passion is love, but so is devotion. Sometimes one must fight for one's beloved, and sometimes it is one's beloved who dispels the demons. The medieval concept of Refined Love combined these aspects of the quest within and the quest without, of the noble and the ignoble, and of the sinful and the sacred. The knight
Annotated Bibliography Alighieri, Dante. "The Divine Comedy, Volume I: Inferno, trans. Mark Musa." New York: Penguin Classics, 2003. Translator Mark Musa provides a blank verse translation of the first book of the Italian epic, Dante’s Comedia. The first book focuses on Dante’s descent into Hell, after becoming lost and confused a in a dark wood—a metaphor for Dante’s stumble from the path of the straight and narrow that leads to Heaven. Having
Nature of Justice -- Secular or Divine? Comparative Essay The comparison of Antigone and Dante's Inferno is interesting as they are really quite different in style, tone, context, and story type. Both stories address the choices made by mankind, and the allegiances that people form and that impact their actions. Dante is in charge of the telling in his story, but Antigone must suffer through the interpretations, telling, and retelling of her
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