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Cubism Purism And Futurism In Art Term Paper

Cubism emerged in the early twentieth century, and generally represented a deconstruction of visual forms. Other defining elements of cubism include the abandonment of perspective and the simultaneous denial of the importance of realistic depictions of the subject ("Cubism"). One of the hallmarks of Cubism was the artists' interest in rendering "the changing experience of space, movement, and time," ("Cubism"). Although much Cubist art is representational, many pieces veered toward abstraction and the movement may be credited with initiating an era of increased abstractionism and non-representational art. One of the most significant examples of Cubism is Picasso's 1907 painting Les Desmoiselles d'Avignon. Les Desmoiselles d'Avignon

Pablo Picasso

1907

Cubism

Oil on Canvas

This is a seminal piece because it was one of the first examples of Cubism. Picasso depicts women in an unconventional manner by removing their stereotypical curvaceousness and instead using sharp lines and intense angularity. The women appear as if they are shifting through time and space. Some of their faces are almost grotesque, as if they wear carnival masks. Moreover, Picasso depicted their physicality and presence in provocative ways, implying their "blatant sexuality" is both "aggressive" and also "primitive," ("Cubism"). Nudes had long been accepted subject matters for European artists, but Picasso depicts his nudes in completely different ways, shunning...

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Following in the tradition that Manet's Olympia established in a similar fashion, Picasso also combines the controversial subject matter with the newly emerging art form of cubism. As the term "cubism" suggests, angles and geometry became far more important than realism. The artist seeks a completely new paradigm and revolutionary means of portraying the natural and human worlds.
Futurism

Following close after and even paralleling cubism, futurism took root in European art, particularly in Germany and Italy. Futurism is defined by its angularity and concern with depicting motion and time, but is far more mechanistic in its approach than cubism. In fact, one of the core goals and defining features of futurism is the "celebration of the fast pace and mechanical power of the modern world," ("Unique Forms of Continuity in Space"). Futurist artists do not offer a critique of technology and its effects on society. In true modernist form, the futurists simply appreciated what technology meant for overall social aesthetics. Futurist art is also similar to cubist art in that it is not fully abstract, still rendering subject matter, and yet its style verges on nonrepresentational art. One of the most important examples of futurist art is Umberto Boccioni's bronze sculpture from 1913 entitled "Unique Forms of Continuity in Space."

Unique Forms…

Sources used in this document:
Works Cited

Boccioni, Umberto. Unique Forms of Continuity in Space. Sculpture, 1913.

"Cubism." The Art Story. Retrieved online: http://www.theartstory.org/movement-cubism.htm

Leger, Fernand. Woman Holding a Vase. Painting. 1927.

Picasso, Pablo. "Les Desmoiselles d'Avignon." Painting, 1907.
"Purism." Guggenheim. Retrieved online: http://www.guggenheim.org/new-york/collections/collection-online/movements/195234
"Unique Forms of Continuity in Space." Met Museum. Retrieved online: http://www.metmuseum.org/art/collection/search/485540
"Woman Holding a Vase (definitive state) (Femme tenant un vase [etat definitif])" Guggenheim. Retrieved online: http://www.guggenheim.org/new-york/collections/collection-online/artwork/2449
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