Art Generating Identity
Analysis of Civil art 'humanizes' places, expresses identity, lecturer at NDMOA says by Haley (2014).
A key component in persuading individuals to go along a certain path is establishment of a vision. Speeches are viewed as a means to persuade an audience; likewise, images can also be just as convincing as verbal rhetoric. Art plays a rhetorical role, as well, making viewers believe the authenticity of that which is represented. Cultural and social values and famous historical occurrences are reflected often in art works. Seeing art which reflects ideals, values and life experiences may prompt spectators to think through a reality which may otherwise have been neglected by them. This kind of art, at the very least, drives individuals to challenge large societal problems, thereby, increasing the likelihood of reactive action by the community (Howard & Hoffman, 2013).
The nature of public art isn't merely aesthetic; cultural, political, and social issues contextualize publicly-located art forms. For example, public sculpture is imparted by, as well as defines, its spatial position, and is, as such, a component of a societal dynamic wherein the processes by which an individual defines oneself in society aren't limited to forming distinctions between others and oneself, but extends to things and objects, without any lesser significance, and also to the very places and spaces where they are located. (Proshansky, Fabian & Kaminoff, 1983). This applies not just to space in the local environment, but to entirely built identities (like cities and towns) as well. For instance, in a major Northern England city, Leeds, such background variables have facilitated determination of the changing relationship between the city and public art, particularly with sculptures that are publicly positioned (Remesar, 2000; Haley, 2014).
A majority of geographical public art engagements revolve around numerous connected claims pertaining to its place-making capacity, an initial claim being that economic progress of regions, cities, and localities can be facilitated by public art. Art installation in public zones was justified progressively, by the 80s, in relation to its assumed role in urban revitalization. The essential conception was that investors and tourists would be lured in by artworks. Literature on creative cities has, more recently,...
It is perhaps for this reason that Natalie Rogers' person-centered approach to art therapy is the preferred approach, as it allows for artistic expression in a multitude of ways -- art, dance, drama, etc. -- and it is the patient or "client" who decides what works best for them. Said Carl Rogers of his person-centered techniques, and also his relationship with his clients: the relationship with I have found helpful
The practices significantly support the development of the immigrant children. The research indicates of the children experiencing interactions that are complex. This is with the respective peers when engaging in creative activities inclusive of gross motor and language arts (Donald et al., 2007). The creative activities reflect on open-ended aspects with the resultant stratification in shaping the initial academic progress of the immigrant children possibility. The application of the developmentally
Saddling them with the idea that every work must have some kind of recognizable theory that speaks to the viewers may be too much for some artists to manage, and it could shut down their creative process. As another critic notes, "[I]n Western culture, after all, art is associated with the free expression of a unique vision or the pleasurable cultivation of individual tastes" (Williams 2004, p. 3). Thus,
Art Both Duccio di Buoninsegna and Fra Filippo Lippi paint the Christian Madonna and child scene. Lippi's "Madonna and Child Enthroned with Two Angels" is rendered on wood with tempera and gold leaf. It is rounded at the top, and was the center part of a triptych that was completed in about the year 1440.[footnoteRef:1] Also in tempera and gold leaf on wood is di Buoninsegna's "Madonna and Child." Candle damage
Art Analysis: Art21 After reviewing the artists from Art21, the artists chosen are Pierre Huyghe and AI Weiwei as the subjects of this paper. The pieces the paper will be "This is not a time for dreaming" by Huyghe and "Forever" by Weiwei. Both pieces are installation pieces although the artists are not classified under the same grouping on the Art21 website. Weiwei is listed as "Featured in Change" and Huyghe
Art Culture: Public Space Art Public art like that of Koon's Train (2011), Serra's Tilted Arc (1981), Lin's Vietnam Veterans Memorial (1981), and James' Sea Flower (1978), ignite discussion to the point of its modification, re-arrangement, or removal. The reason for this controversial treatment of public art is its ability to embrace a variety of aesthetic practices. The adoption of different aesthetic values like poster art, outdoor sculpture, earthworks, multimedia projections,
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