Chivalry in Sir Gawain and the Green Knight
Although Sir Gawain and the Green Knight is considered to be a romantic poem because of its nature and the era in which it was written, it does not represent romance in the traditional sense of courtly love during the medieval times. It is worth mentioning that Sir Gawain and the Green Knight does not substantially represent any of the conventions listed in "The Art of Courtly Love" by Capallanus, but instead focuses on the chivalrous nature of an honorable knight who struggles when his chivalry comes into conflict with his basic need for self-preservation.
This paper will examine Gawain's character, which is clearly very noble, and how this conflict between morality and mortality becomes almost a mockery by the poet by the end of the poem. Through satire, the poet is able to show the reader how even the noblest and most honorable knight can fall victim to the basic instincts of humanity and come into conflict with moral code of chivalry.
Upon closer inspection, the reader is left to wonder if the poet is doubting the values of the chivalric court by playing within the bounds of the romantic genre. This could certainly answer the question pertaining to the romantic genre. Sir Gawain and the Green Knight is "one of the latest and certainly the best of the Middle English romances; yet its greatness lies in the fact that, without ever ceasing to be a romance, a fiction full of the most comic touches, it is something much larger, one of the really significant literary achievements of the Middle Ages" (Abrahms 242). The poem belongs to the Alliterative Revival, an emergence of a body of poems in the alliterative meter of Old English verse (232).
The poem takes place in Arthurian England during the New Year's celebration at Camelot, known to be a place of adventure and bravery. King Arthur has established a court of chivalry and nobility with brave knights and lovely ladies. At the celebration are King Arthur and Queen Guinevere surrounded by knights, including Gawain.
It is interesting to note that the poet does mention the darker side of British history, in saying that war and misery have played their part in British history as well as British prosperity. Another point worth mentioning is the elaborate description of Camelot, which seems to border on the excessive. One could argue that such a talented poet would not need to go to such lengths to describe Camelot unless there was an underlying reason to do so. Could the mention of the dark side of British history along with the almost laborious description of Camelot a subtle hint of things to come?
In addition, the poet, with the description of the merriment at the New Year's feast, implies perhaps a certain amount of corruption or perversion in Arthur's court. The reader is also given the impression that Arthur is immature when he is described as being "light in his lordly heart, and a little boyish" (235) and also when he demands some form of entertainment before the feast.
The stranger from the beginning can be viewed as an obvious object of opposition. He seems to represent everything Gawain does not. It is not difficult for the reader to imagine this, especially knowing the end of the story. The stranger could also be seen as a symbol of the Devil, as he is opposing good (Gawain).
The poet spends quite a bit of time in describing the stranger. If the poet is indeed criticizing the chivalric court, that would explain his mocking tone. Another hint that the poet might be slighting Arthur's court would be the silence of the court as they "sat stunned at his strong words" (239) with the stranger mocking them.
Gawain's offer to accept the Green Knight's challenge in the palace of Arthur, is the reader's first...
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