Counter Cinema
Rejecting Ideological Indoctrination: Two or Three Things I Know About Her and Born in Flames as Forms of Counter Cinema
Jean Baudry in his analysis of narrative cinema argues that film ideologically indoctrinates the viewer. In his essay "Ideological Effects of the Basic Cinematographic Apparatus" he asks whether instruments (the technical base) produce specific ideological effects, and are these effects themselves determined by the dominant ideology? He continues, that in which case, concealment of the technical base will also bring about the inevitable ideological effect.
Baudry takes as his starting point that the camera is an invention of the Renaissance in which the Western tradition of the "eye of the subject" took into effect. He argues that the projection of the camera denies difference and leads to the emergence of the transcendental subject. He argues that these effects of the camera occur on a technical level: "The meaning effect produced does not depend only on the content of the images but also on the material procedures by which an illusion of continuity, dependent on persistence of vision, is restored from continuous elements. These separate frames have between them differences that are indispensible for the creation of an illusion of continuity, of continuous passage. But only one condition can these differences create this illusion: They must be effaced as differences.
Drawing upon the theories of Althusser and Lacan, Baudry argues that film achieves a kind of imaginary order in which specularization and double identification take place: "The reality mimed by the cinema is thus first of all that of a "self." But because the reflected image is not that of the body itself but that of a world already given us meaning, one can distinguish two levels of identification....
The thread's broken. What you came to find isn't there. What was yours is gone. You have to go away for a long time... many years... before you can come back and find your people. The land where you were born. But now, no. It's not possible. Right now you're blinder than I am Life isn't like it is in the movies. Life is much harder." Then he commands
America-Afghanistan Relations While it might seem counter-intuitive to the average American, it would be beneficial to the United States to remain allies with Afghanistan. The most passionate argument against this opinion is generally one which recounts the events of September 11th, and which argues that given the pure evil that was waged on U.S. soil and the lives that were lost, not to mention the sense of safety and security that
Run Lola Run The German new wave of cinema was a direct commentary of the nation's post-World War II disharmony. Instead of the ideal Germany portrayed in Nazi era propaganda, the modern Germans films show a dirtier, grungier, and far more realistic depiction of the nation in its current sensibility. In Tom Tykwer's Run Lola Run, the present Germany is one which has prevalent violence and severe repercussions for choices that
Film Theory The canonical model of the purely cinematic (Eisenstein, Kracauer, Bazin) starts disappearing in contemporary theory. Most film theorists since the 1970s (Baudry, Wollen, Mulvey, Stam/Shohat, or Jameson, etc.) Explain in different ways how the textual (content and form, the film text itself) and institutional have merged together. Choose two theorists for whom the institutional issues are integrally connected to the textual ones, and explain their insights about reading
The spectator is unwittingly sutured into a colonialist perspective. But such techniques are not inevitably colonialist in their operation. One of the innovations of Pontocorvo's Battle of Algiers is to invert the imagery of encirclement and exploit the identificatory mechanisms of cinema in behalf of the colonized rather than the colonizer (Noble, 1977). It is from within the casbah that we see and hear the French troops and helicopters. This
Indeed, 3D movies lead to various physical issues such as nausea, headaches and eyestrains. Therefore, these factors nullify the thesis statement that asserted 3D effect brings value and new definition to the modern cinema. Conclusion 3D effect in the movies and films is considerably one of the most fascinating and remarkable developments in the history of cinema. Through the 3D technology, the captivating properties of cinema is profoundly enhanced and progressed,
Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.
Get Started Now