Conflict and adversity is an inevitable part of all of our lives. Yet, many people have different reactions to the conflict they face in their own individual scenarios. For a lucky few, conflict can serve as a point of resistance where the individual can rise above adversity and embrace a strong sense of inner pride and strength as seen in Mia Angelou's poem "Still I Rise"; however, there are other cases where the conflict is simply too great, and it can break the individual, causing them to act either irrationally as in Mordecai Ritchler's The Apprenticeship of Duddy Kravitz, or can throw one into a deep state of depression, as seen in Alex Colville's wartime painting. In some instances, resistance can often lead to an increased inner strength. This is seen most in Maya Angelou's poem "Still I Rise." Here, the narrator is obviously reacting towards some sort of conflict that was meant to disenfranchise or chaste her. Knowing a little about Angelou's own background, it is possible this conflict comes from her being both African-American and a woman during a time period where both were subjugated by the white male majority. Angelou's narrative undoubtedly holds some of her own sentiments, as having to deal with the conflict of constantly being disenfranchised because of her race and gender. Her narrator here in this particular poem still proves strong and prideful, despite the conflict she faces. She is seen as an adversary to some unknown opponent, who wishes to strike her down at any available chance. Here, she writes, "You may write me down in history / With your bitter, twisted lies, / You may trod me in the very dirt." Yet, the narrator is not scared or discouraged by this conflict. Rather, she responds with an interesting emotional show of pride and character. Instead of being beaten by the conflict in front of her, she seems to feed on it. She does succumb to the conflict at hand, but rather rises above it. In this, she writes "cause I walk like I've got oil wells / Pumping in my living room / Just like moons and like suns, / With the certainty of tides, / Just like hopes springing high, / Still...
Eugene O'Neill Long Days Journey Into Night by Eugene O'Neill Eugene O'Neill's work "Long Day's Journey into Night" has been critically described as an autobiographical work, a tragedy with universal appeal and a Taoist manuscript among other descriptions. Long Day's Journey into Night might indeed be described as the autobiographical work of one of the most well-known dramatists, who incorporated aspects of every day living and the nature of human instinct and
This is what is affectionately known as cutting through the red tape. Politics and Administration 2. Whether or not administration should be separate from politics is one of the abiding controversies of our field. Describe Woodrow Wilson's and Frank Goodnow's positions (and why they argue what they do) on the matter. Then compare and contrast their ideas with those of Luther Gulick and Leonard White. How does Jane Addams conceive the
Sustainable Development - a Global Challenge Need for Change State Sovereignty Sustainable Development Challenges for Businesses The Role of MNCs in Sustainable Development The Global Compact Initiatives outside the Global Compact What is International Sustainable Development Law (ISDL)? International Environmental Law and its Impact on Australia Sustainable Development: A Global Challenge For many years, sustainable development has been one of the controversial issues faced by world leaders and citizens (Parmetier, 2002). The issue pervades both private and public sectors, and is
Response Yes, technology generates problems, and it is shrewd and apt to point out that for every net gain to certain members of society via technology there is a net loss. The hand weavers of the 18th century were put out of business by 19th century factories that could manufacture clothing cheaply, computers have probably collectively caused the art of calligraphy to die, and made even professional writers overly reliant on
This is the Jealous God that Huston carries throughout his film as a representation of Godly power. This view also raises many associated questions; such as the fact that God must also have been the originator of the snake. In this section and in the others that follow it seems that the central impetus in the film is in reality a critique and an indictment of the God of the
Miss Sunshine, Olive emerges as the epitome of robust and healthy psycho-social development within the family framework. However, the Hoover family is undergoing a series of stressors that put strains on individual relationships between members, as well as on the family structure as a whole. As White & Klein (2008) point out, all families have a life course and life cycle that are parallel to individual psycho-social development; these
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