Expressionism and Fauvism
Expressionism, which originated in Germany and Fauvism, which originated in France were fueled by artist's need for self-expression. These artistic movements make significant use of color, which is an important tool. However, German Expressionism and French Fauvism used this single tool in new and exciting means. Their use of the tool of color sometimes intersects though mostly different or diverging. Due to their divergence in the use of color, German Expressionism and French Fauvism end up in varying places. Fauvism and Expressionism are some of the first artistic movements that marked the commencement of modern art in 1900 and dominated visual art for nearly half a century. Generally, these artistic movements are associated with several similarities though they have significant differences that enable viewers to distinguish them.
One of the main differences between these two movements is that Fauvism emerged from negative criticism whereas Expressionism emerged from interest in enhancing the emotional landscape of art through focusing on subjective feelings beyond the depiction of an objective reality. Fauvism is derived from a French word, "fauve" that means wild animal and was fueled by negative criticism similar to impressionism. The negative criticism that fueled the emergence of Fauvism is its roots...
Expressionists€ ™ view of German cities to the Surrealists€ ™ vision of Paris in visual arts and literature and film (give examples of artworks). German Expressionism vs. Surrealism: Contrasting views of the urban landscape in visual arts and film The 20th century art movement of Expressionism is particularly associated with Germany. Expressionist art is distinguished by its intense colors, distorted shapes, and focus upon the darker aspects of modern, urban life (Pioch
Art as Political Statement It is almost impossible to completely separate art from the social and political context in which it originates. When considering art works from a variety of contexts and situations, it is clear that artist as often as not ignored and embraced politics as either inspiration for their work, or indeed treated it as a force to be shunned for its destruction of the creative spirit. Both acceptance
Modern Art A primary concern of fauvism is the presence of strong colors. Fauvist works have relatively wild brushstrokes. The subject matter of fauvist painters is simple and often abstract. Fauvism is heavily influence by postimpressionism and pointillism. In "Woman with a Green Stripe," the viewer can distinguish between each color because of the brushstrokes. The portrait is simply of a woman, making a neutral face. The colors are stark and
Kandinsky was unique, however, in his adventurous, abstract, and color-filled endeavors to radically juxtapose: color; light; landscape; music; nature, spirituality, and other essences as a way of expressing meaning within art. Vassily Kandinsky was, indisputably, the founder of abstract expressionist painting. And, though he remained a Russian national up until his death, and fled Germany during World II for a new life in Paris, Kandinsky nevertheless was, in spirit
Pissarro took a special interest in his attempts at painting, emphasizing that he should 'look for the nature that suits your temperament', and in 1876 Gauguin had a landscape in the style of Pissarro accepted at the Salon. In the meantime Pissarro had introduced him to Cezanne, for whose works he conceived a great respect-so much so that the older man began to fear that he would steal his
Art, Picasso, Matisse, Diego Rivera Life had placed Picasso, Matisse and Rivera with three different starts. Of them, Picasso is the most renowned. His name was a mouthful - Pablo or El Pablito Diego Jose Santiago Francisco de Paula Juan Nepomuceno Crispin Crispiniano los Remedios Cipriano de la Santisima Trinidad Ruiz Blasco y Picasso Lopez. He was born in 1881 in Malage, Spain and is considered as the father of cubism
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