Haydn and Mozart Haydn once told Mozart's father that his son was "the greatest composer known to me in person or by name; he has taste and, what is more, the greatest knowledge of composition," (Sadie). The student-teacher relationship between Mozart and his mentor was characterized by mutual respect: the younger Mozart dedicated six string quartets to his teacher, who deemed the master of that style. The intersecting lives of these two great composers are similar on many counts: both came from Viennese musical families, both exhibited talent at a very young age, and both struggled financially in spite of their awesome and acknowledged talents. Moreover, Mozart and Haydn traveled throughout Europe and though they never grew rich, they were both able to earn their livelihoods through music. In spite of these similarities, Mozart became by far the more renowned of the two composers, both in his day and in ours. Furthermore, their different personalities are reflected in their music and in their lives: Mozart demonstrated a hot-headedness in his compositions and in his life that Haydn...
Mozart also died at a very young age from mysterious causes while Haydn lived until he was 77.
In the scene where the Emperor and his aides argue about the language for the new opera, one of the aides notes, "Plain German for plain people," and "German is too brutal" ("Amadeus"). Underlying this conversation is the idea that the north could not possibly be civilized or educated, and only the elite and attuned listened to the classical music emanating from Italy. This also indicates how the culture
The presence of dissonance and harmony in Beethoven's Fifth Symphony is also reflected in Virginia Woolf's motif alluding to the fictive creation of "Shakespeare's sister" in the essay, "A Room of One's Own." While Woolf's voice creates a reality that is both dissonant and harmonious to her own life as a writer, the struggle for the female to be taken seriously as a writer in a male-dominated world becomes the
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