Haydn and Mozart Haydn once told Mozart's father that his son was "the greatest composer known to me in person or by name; he has taste and, what is more, the greatest knowledge of composition," (Sadie). The student-teacher relationship between Mozart and his mentor was characterized by mutual respect: the younger Mozart dedicated six string quartets to his teacher, who deemed the master of that style. The intersecting lives of these two great composers are similar on many counts: both came from Viennese musical families, both exhibited talent at a very young age, and both struggled financially in spite of their awesome and acknowledged talents. Moreover, Mozart and Haydn traveled throughout Europe and though they never grew rich, they were both able to earn their livelihoods through music. In spite of these similarities, Mozart became by far the more renowned of the two composers, both in his day and in ours. Furthermore, their different personalities are reflected in their music and in their lives: Mozart demonstrated a hot-headedness in his compositions and in his life that Haydn...
Mozart also died at a very young age from mysterious causes while Haydn lived until he was 77.
In the scene where the Emperor and his aides argue about the language for the new opera, one of the aides notes, "Plain German for plain people," and "German is too brutal" ("Amadeus"). Underlying this conversation is the idea that the north could not possibly be civilized or educated, and only the elite and attuned listened to the classical music emanating from Italy. This also indicates how the culture
The geniuses strained the boundaries of the characteristic styles more evidently and more quickly than those of their contemporaries to bring about such seismic changes. Works Cited Baroque: Style." The Essentials of Music. 23 Apr 2008. http://www.essentialsofmusic.com/ Classical: Style." The Essentials of Music. 23 Apr 2008. http://www.essentialsofmusic.com/ Baroque: Musical Context." The Essentials of Music. 23 Apr 2008. http://www.essentialsofmusic.com/ Classical: Musical Context." The Essentials of Music. 23 Apr 2008. http://www.essentialsofmusic.com/ Ludwig van Beethoven." The Columbia Encyclopedia.
He is faster in every movement than any other of the above mentioned conductors and yet he scarcely sounds rushed" (Laurson 2008). Even without an extensive knowledge of the history of Brahms symphonic compositions, the modern, 21th century nature of the Janowski approach becomes clear when comparing it to an older recording, that of Leonard Bernstein's. Bernstein's is slower, more ponderous, especially at the beginning, although it should be noted
Classical Symphony Music, like other forms of art, evolved from numerous traditions that, when taken together, formed a new way of thinking about, and performing, certain types of works. Audiences change over time, and certain musical compositions that sound odd or strange to one audience are often accepted by others (e.g. The rioting during the premier of Stravinsky's Rite of Spring). When people think of classical music, for instance, they tend
In this movement he uses antiphonal, or equal bars of forte and equal bars of piano as the movement opens with a six note falling scale motif for this harmony. Finally there is a trio in D major, side by side, taking abrupt leaps and descents and which ends quietly with a modified recurrence of the scherzo. The first "repeat" was written out to allow an extra ritardando. There
European music: Baroque vs. Romantic and Classical music Any non-contemporary orchestral music is often called 'classical' in a colloquial fashion. However, there are many varieties of music between the eras of the 15th century and our own besides what is technically associated with the classical period. Perhaps the most notable movement which laid the foundation for our own contemporary era of music is that of the Baroque period. Rather than naturalness,
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