Communicative Theory of Biblical Interpretation
Any theory is a composite of residual aspects of earlier theories and fresh compositions illuminated by the present context. The several theories that have been applied to the study of Scriptures are no exception, and this discussion will explore how several theories have come to coalesce in the communicative theory of Biblical interpretation. The relation of literary criticism, structural criticism, and reader-response criticism to the Biblical interpretation as seen through the lens of communicative theory will be discussed. Aspects of contextualization, relevance theory, and speech-act theory are explored with regard to the influence of these constructs on the development of modern communicative theory.
Communicative theory. The written word is a special form of communication -- a mysterious way for people to experience the inner thoughts of another being. The Bible, as a written record of the experiences and history of ancient Israelites and Christians, provides the same opportunity. However, proponents of the communicative theory of Biblical interpretation argue that reading and studying the Bible provides an even richer opportunity -- that of engaging in interactive communication -- a conversation -- with God. The Scripture communicates in particular ways, according to this theory, and readers have the capability of gleaning more meaning from the Bible if they know how Scripture opens the way to understanding more than the face-value stories and rules by which one must abide.
Biblical hermeneutics is inclusive beyond just an analysis and interpretation of the text of Scripture -- or what is called exegesis. Biblical hermeneutics includes interpretation that is verbal, nonverbal, and written. Integral to Biblical hermeneutics are the epistemological questions of the nature of knowledge and understanding -- how understanding comes about and how knowledge is experienced by human beings. Hermeneutics, then, must be considered "a second-order task, which means that it involves thinking about thinking" (Brown, 2007, p. 21). As a meta-cognitive process (thinking about thinking), hermeneutics requires an individual to consider how their own cognitive filters impact their interpretation of their thinking processes, assumptions, and conclusions.
Even though Scripture may be considered more than text, it is still also text. Understanding the text of Scriptural passages is generally the first analysis to which human beings apply themselves with regard to Biblical study. The same approaches to understanding any text apply at this level of knowledge acquisition, theological considerations aside. From this, it is reasonable that the initial study of the Biblical often takes the form of literary criticism.
Literary criticism. Literary criticism is the application of literary theory and it is focused on specific literary works. The realm of theory -- literary theory, in this instance -- is based in more abstract or general ideas. Literary criticism has as one of its several aspects clarification of the meaning of a literary work. Brown (2007) defines meaning as "the communicative intention of the author, which has been inscribed in the text and addressed to the intended audience for purposes of engagement. The author's communicative act when writing a text is an act of intention" (p. 22).
Central to this discussion on meaning is consideration of the three main components of meaning. Certainly, an author attaches some meaning to their own work, either directly -- through some intention -- or indirectly through subconscious attribution. And the reader, as the consumer of the literary work, is prepared to discover meaning, respond to meaning, or attach meaning to the text. The reader may, in fact, create a meaning apart from any meaning intended by the author. Third, the text may have the property of meaning that exists separately -- apart from the author and apart from the reader.
Structural criticism. The form that structural criticism takes in literary criticism is an insistence that the various elements of a literary work can only be understood in terms of their relationship to the larger structure or overarching "system," that is the literary work. Discrete elements of a literary work, according to the theory of structural criticism, cannot function in an explanatory manner apart from the whole. In fact, it is the location of elements within the structure viewed as a complete system that enables the derivation of meaning. The position of the structural...
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