Art Piece Comment
David Carson's design that he created for the Aspen Design Conference is a classic example of his approach to deconstruction. By using the term "deconstruction" a writer is referring to a graphic design which "…exposes and transforms the established rules of writing," according to Ellen Lupton. The deconstructive design is actually more than just a design, it is a way in which the graphic artist uses typography as art, infusing a design with emotions that upon initial viewing, seem to be very confused. This black and white print ad for the Aspen Design Conference presents the word "Hollywood" in some capital letters and some lower case letters -- which, on the surface of it, is an anathema of good clear graphic design.
The grammatically incorrect approach in Carson's typography is part of what makes this design appealing -- or appalling, depending on the viewpoint of the observer. The edgy nature of the design causes the eye of the beholder to work a bit harder than it otherwise would in a standard (and bland) poster advertising a design conference. According to Lupton's essay, graphic design can reveal "cultural myths" simply by using symbols that are familiar and new approaches...
Artist Zwelethu Mthethwa Zwelethu Mithethwa says, "I chose color because it provides a greater emotional range. My aim is to show the pride of the people I photograph" (National pp). Born in 1960 in Durban, Kwa-Zulu Natal, Mithethwa holds diplomas from the Michaelis School of Fine Art from the University of Cape Town (National pp). As a recipient of a Fullbright Scholarship, he studied at the Rochester Institute of Technology and
Saddling them with the idea that every work must have some kind of recognizable theory that speaks to the viewers may be too much for some artists to manage, and it could shut down their creative process. As another critic notes, "[I]n Western culture, after all, art is associated with the free expression of a unique vision or the pleasurable cultivation of individual tastes" (Williams 2004, p. 3). Thus,
Art Both Duccio di Buoninsegna and Fra Filippo Lippi paint the Christian Madonna and child scene. Lippi's "Madonna and Child Enthroned with Two Angels" is rendered on wood with tempera and gold leaf. It is rounded at the top, and was the center part of a triptych that was completed in about the year 1440.[footnoteRef:1] Also in tempera and gold leaf on wood is di Buoninsegna's "Madonna and Child." Candle damage
Pre-Task Learning: Class discussion/reading of the history of the Spanish Civil War and its relationship to the approach of World War II. Continuing discussion on the specific context of the painting's creation and display, and of Pablo Picasso and his emerging and shifting abstract style of painting. Preliminary open-form discussion of possible interpretations of the painting, beginning with the more obvious macro-level signs in the painting on touching on other
His paintings were and are provocative because, instead of using personal confessions (like Dali), he uses irony and wit and intelligence to make his point hear. "The Treason of Images" is controversial in the sense that it makes the viewer question art and language and the meaning that we apply to objects. Magritte questions the assumptions made by people about the world, changing the scale of objects and defying
Art as Political Statement It is almost impossible to completely separate art from the social and political context in which it originates. When considering art works from a variety of contexts and situations, it is clear that artist as often as not ignored and embraced politics as either inspiration for their work, or indeed treated it as a force to be shunned for its destruction of the creative spirit. Both acceptance
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