But she knows he is dead, apparently, is the impression I get when she spends her hours "married to shadow" and no longer listens "for the scrape of a keep on the blank stones of the landing." Does "married to shadow" to mean her actual marriage isn't working well? Or that she is in a dark place due to her dad's passing, and she must observe the living world from the point-of-view of a kind of living death?
Was there an overall theme to the book of poems? In a way she seems to be conveying a rebellion against the world, against her life, and there are death and dying images throughout the book. She rebels against her piano lessons ("The Disquieting Muses") though she was "tone-deaf" and "unteachable"; she rebels against love ("Love is the bone and sinew of my curse" she writes in "The Stones").
What kind of voice does the poet have? Plath has many voices in these poems, which is one of the strengths of the book. Plath's voice is at once a screech ("...a racket of echoes from the steely street" in "Hardcastle Crags"); then a shrill cry for help ("When the splinter flew in and struck my eye, Needling it dark" from "The Eye-mote"); then it becomes a groan of protest ("The small birds converge, converge With their gifts to a difficult borning" in "The Manor Garden"); and in a few lines it becomes a dead fetus ("In their jars the snail-nosed babies moon and glow" in "Two Views of a Cadaver Room").
Was the voice believable? All her voices are believable, and because of the depth of her intellect, and her skill at manipulating imagery, readers are brought into her consciousness and there is nothing to do but believe her. She put the work in to create these poems, she deserves to be believed; and after all, poetry is not journalism,...
I believe our money in Iraq would be much better spent in these arenas, which are underserved now, and which have long been under the auspices of relief organizations and the United Nations, among others. Instead of shoving our ideas down other country's throats, I wish we would take a more humanitarian role, and stop trying to convert everyone to democracy and our own way of thinking. One of Ferguson's
Sylvia Plath: A Brilliant but Tortured 20th Century American Poet One of America's best known twentieth century poets, Sylvia Plath (1932-1963) lived an artistically productive but tragic life, and committed suicide in 1963 while separated from her husband, the British poet Ted Hughes. Before her death at age 30, Sylvia Plath had suffered a bout of severe depression for several months, the likely result of her separation from Ted Hughes and
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