The lack of a distinct focus or perspective in the painting also makes it difficult to define a specific purpose or intent apparent in the work. Throughout his work, Kandinsky was obsessed with almost paradoxical contrast, as though any statement of a "fact" has inherent inconsistencies with reality. In Yellow-Red-Blue, this is exemplified in the moods and suggestions of representation created by primarily the colors used, and secondarily the shapes, suggesting a worldview of undefined balance; an all-encompassing reality that resists efforts to be broken into its constitutive parts. Such a worldview, like the painting, contains both cheery and somber elements, and is an outgrowth and creator of both order and chaos, day and night. Applying meaning to or interpreting meaning from art is always a dangerous task, and much more so when dealing with abstractions. No abstraction is pure, however; in good art, there is always an intent....
Kandinsky left enough of his own philosophical and theoretical thoughts and beliefs about art to make an interpretation of Yellow-Red-Blue and his other paintings quite confidently.
Kandinsky was unique, however, in his adventurous, abstract, and color-filled endeavors to radically juxtapose: color; light; landscape; music; nature, spirituality, and other essences as a way of expressing meaning within art. Vassily Kandinsky was, indisputably, the founder of abstract expressionist painting. And, though he remained a Russian national up until his death, and fled Germany during World II for a new life in Paris, Kandinsky nevertheless was, in spirit
Holi, Colors speak and people Play! Indian culture is enriched with traditions, religious ceremonies and festive celebrations. The paper is about historical and religious significance of Holi, a spring celebration which is also referred to as the 'celebration of colors'. However, the event dates back to ancient Hindu religious celebrations. In South Asia, Holi has also gained popularity among non-Hindus. It is majorly celebrated in India, Nepal and other parts
Modern Art A primary concern of fauvism is the presence of strong colors. Fauvist works have relatively wild brushstrokes. The subject matter of fauvist painters is simple and often abstract. Fauvism is heavily influence by postimpressionism and pointillism. In "Woman with a Green Stripe," the viewer can distinguish between each color because of the brushstrokes. The portrait is simply of a woman, making a neutral face. The colors are stark and
Art The Painting Techniques of the Impressionists, Cubists, and Fauvists During the late nineteenth and early twentieth centuries art styles were changing rapidly in France. Impressionism, Cubism, and Fauvism were three of the styles developed during this time. The painters involved were using new techniques with oil paint to change what was accepted as fine art. Their new techniques reflected societal changes happening all around them. The Age of Industrialization, economic fears,
This in another deceptively simple painting, which evokes the relationship between geese and nature in a few brush strokes. The background of is blank and bare, referring to the concept of nothingness, and the two geese are sketched in relation to a few lines which represent reeds. The work suggests a sense of great depth and space as well as the mystery of nature. Robert Motherwell Figure 1. Elegy to the Spanish
20th century humanities or modernism is the assumption that the autonomy of the individual is the sole source of meaning and truth. This belief, which stemmed from the application of reason and natural science, led to a perpetual search for unique and novel forms of expression (Keep, McLaughlin, & Parmar). Thus, it is evident that modernism discarded the Renaissance period's interest in the classical tradition and universal meaning, in
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