Victorian literature was remarkably concerned with the idea of childhood, but to a large degree we must understand the Victorian concept of childhood and youth as being, in some way, a revisionary response to the early nineteenth century Romantic conception. Here we must, to a certain degree, accept Harold Bloom's thesis that Victorian poetry represents a revisionary response to the revolutionary aesthetic of Romanticism, and particularly that of Wordsworth. The

The almanac symbolizes the passing of time or life. As a result, it cannot help but point to death and bring forth tears. We see this alluded to with the child's drawing, as the man wears "tear like buttons" (29), symbolizing all that has passed. The almanac is crying but those tears are also nourishing in that they are preparing the child for the next phase in her life.

Blood by Suzan-Lori Sparks expands on the main theme of society's unfair disregard for its people of low condition in general, for women, and for adulterers. Hester La Negrita, the protagonist, is an African-American woman who struggles to survive in poverty along with her five base-born children. The family's outcast status is portrayed as a direct inducer and accelerator of emotional suffering, poverty, lack of education, and sexual exploitation. (A)

Women's Oppression, Racism, Colonialism And Feminism "The Committee is concerned that women's access to justice is limited, in particular because of women's lack of information on their rights, lack of legal aid, the insufficient understanding of the convention by the judiciary and the lengthy legal processes which are not understood by women. The Committee is concerned that physical and psychological violence cases are particularly difficult to be prosecuted in the legal

Gender and the 19th c English novel The question of gender in the nineteenth century English novel is complicated by consideration of more recent late twentieth century theorizing about gender. In particular, Judith Butler's highly influential notion of "gender performativity" suggests that gender is, in itself, nothing more than a sort of act. However this becomes an interesting angle to approach the works of creative artists, as a female novelist will

All without distinction were branded as fanatics and phantasts; not only those, whose wild and exorbitant imaginations had actually engendered only extravagant and grotesque phantasms, and whose productions were, for the most part, poor copies and gross caricatures of genuine inspiration; but the truly inspired likewise, the originals themselves. And this for no other reason, but because they were the unlearned, men of humble and obscure occupations. (Coleridge Biographia