Claude Berri: Life and Works Claude Berri was born in Paris, France in 1934. He was born to Jewish parents and experienced the years of war during his childhood in Europe. It is this experience that is said to have influenced his movie career, with Berri becoming known as a director that captured the real anxieties of people (Buss). His own experiences in his childhood appear to have given him an understanding of human suffering that allowed him to capture it profoundly. Another theme of Berri's was prejudice, with many of his films dealing with the subject. This interest is also likely to come from his childhood and his experience as a Jew during the war years and after.

One thing that stands out in Berri's films is how the sadness of human suffering and prejudice is captured, not only with sadness, but with a sense of reality. Berri shows characters dealing with situations in an honest way and does not focus only on the suffering. Instead, the characters react to their situations in humorous ways. This is one key aspect of Berri's films; the ability to combine drama with comedy, and to add the comedy in a way that does not lessen the very real drama. Watching these films, it seems that only someone that has themselves suffered them could recreate them as Berri has. Another director would be prone to overemphasize the tragedy or add comedy that takes away from the drama. It appears that the struggles of Berri's life have not only...

Berri's first role was in the 1953 film Le Bons Dieu Sans Confession. For the next ten years, Berri continued his acting career, landing small roles in films including Les Bonnes Femmes, La Verite and Janine. While Berri was considered a good actor, his acting career did not make him a star. Instead, he ventured into the world of directing.
Berri's first effort as director was met with immediate success. He directed a short film titled La Poulet in 1965. This film won the Oscar for Best Live Short and several other awards. With this success in hand, Berri continued his directing career, directing two more short films in 1966.

Berri's first feature length film was titled Le Vieil Homme et L'Enfant and was released in 1968. This film was the first of many with a clear link to Berri's background. The film was a sentimental story about a Jewish boy and his friendship with an anti-Semitic man. Berri's own childhood as a Jewish boy is certain to have influenced this choice in film as well as giving him the ability to turn it into a deep film that stood out as being honest in its protrayol of the boy and the situation.

Berri again chose a film that linked with his own personal background when he directed the 1970 film Le Cinema de Papa. As well as directing the film, Berri also starred in it as himself. The film was a deep and personal exploration of his own life as a teenager.

Berri's directing career continued, as did his interest in directing films with a link to Jewish life in France. These films included the 1976 film La Premiere Fois which focused on the sexual life of the French male as well as showing what Jewish life was like in the 1950's.

In the 1980's Berri's interests in the film industry grew from just directing, to…