¶ … city symphonies made in the 1920s (each films). Describe the films in specific way: scenes and music.
Film comparison: City symphonies of the 1920s
During the silent era of cinema, the scores used to accompany various films were used to enhance the experience of watching the production. Director Walther Ruttmann and photographer Otto Umbo's Berlin: Symphony of a Great City (1927) portrays the city of Berlin from dawn to dusk, beginning with a train pulling out of the station early in the morning to the nightlife that brings the day to a close. The film chronicles the rhythms of the city as they gradually build, grow more intense, and finally climax at night, just like the corresponding music itself. The film suggests that Berlin's natural rhythms are a symphony and the music strives to highlight this phenomenon. The images are lush, over-the-top, and Romantic, just like the music itself. "Berlin: Symphony of a Great City, by focusing on a temporal structure instead of a traditional character driven narrative, manages to turn the city itself into a...
Berlin and New York City Artists of all media are inspired by the culture in which they live and work. This is a universally accepted idea; it is impossible to extricate the artist from the culture in which he or she created his or her pieces of artwork, no matter if the art is writing, paintings, or any other type of multimedia. One of the most important influences that an artist
Film The modern film is a genre of its own that expresses a huge variety of cultural experiences through a fluid continuum. Film expresses the entire gamut of human emotions and needs; from the tragic to the comic; from entertainment to education; from adult to the young child. Films have become cultural artifacts created by specific cultural needs -- from a sociological perspective as a form of cultural expression for
Frank Gehry has become a leading architect noted for his innovative structures using industrial materials in new ways and with a certain deconstructivist approach to architecture. Philip Johnson, the dean of American architecture and a power since the 1930s, more recently joined with other architects who have been shattering all the rules, leaving behind symmetry and classic geometry in favor of distorted designs, twisted beams, and skewed angles. Johnson in
This were then replaced with larger big band orchestras as technology allowed such large groups to be clearly recorded, "As the swing era began, shorts were made of many of the top orchestras," (Yanow 2). Big band orchestras began showing up in all the major Hollywood productions. They featured pre-recorded songs where the musicians lip singed. It is interesting to have such a crucial period on film. The Swing Era
Ink Spots "An all-Negro show, headed by the rejuvenated Ink Spots, has everything it takes to be a top entertainment piece. The Spots, making their periodic visit here, were never better. Ella Fitzgerald takes second billing to the Ink Spots, but more than holds up her end with I've got Rhythm, Do Nothing' Till You Hear From Me ....Ink Spots come on with Shoo-Shoo Baby ["Cow-Cow Boogie"?] followed by Lovely Way
From this came our insistence on the drama of the doorstep" (cited by Hardy 14-15). Grierson also notes that the early documentary filmmakers were concerned about the way the world was going and wanted to use all the tools at hand to push the public towards greater civic participation. With the success of Drifters, Grierson was able to further his ideas, but rather than directing other films, he devoted his time
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