Chrysanthemums and Young Goodman Brown
Nathaniel Hawthorne's 1835 short story "Young Goodman Brown" and John Steinbeck's 1938 short story "The Chrysantemums" both deal with female purity and with how it can be easily tainted by temptation. Faith, the protagonist's wife in "Young Goodman Brown" is initially shown advising the main character against performing immoralities. Similarly, Elisa, the central character in "The Chrysantemums," is presented in the first part of the story as an innocent country woman that is solely interested in her gardening. It is very probable that the two authors used women and their frailty as a main concept in their stories with the purpose of emphasizing more general ideas related to society and to how it can be influenced by matters that are seemingly unthreatening. Both women are somewhat stereotypical characters resembling women in the 1830s, and, respectively, in the 1930s.
Even though Hawthorne's story is meant to reference religious principles, the fact that he uses Faith's character in order to do this makes it possible for people to understand more regarding the general position of women in the first half of the nineteenth century. Goodman Brown underestimates his wife by considering that she is not capable of acting against his will. He does not hesitate to leave her at night in spite of the fact that she advises against this and he appears to be more interested in accomplishing his objectives. The man practically believes that there is nothing wrong with him going out at night in order to engage in unethical activities, but cannot help thinking about his wife's purity in his journey through the forest. Hawthorne supports this belief through the overall context of the story, considering that he portrays Faith as being the individual responsible for the fact that Brown losses his trust in society as a whole. Even with the fact that Brown is responsible for his wife's behavior, the writer concentrates on displaying the man as a person whom the world betrayed.
Steinbeck presents a married couple that is governed...
Both Elisa Allen and Goodman Brown suggest that sexual tension might be at the root of their conflict. Allen arguably deals with her pain more constructively than Brown does. Brown becomes bitter as a result of the conflict he perceives in his heart. Moreover, Brown fails to ground himself in reality. Questioning whether or not the forest vision was real, Brown neglects to contemplate its value even as a dream.
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