Nolan's Dark Knight deals directly with the idea of a hero's control over his world by pitting the emblem of anarchy (the Joker) against Batman (a mythological hero, supported by technology that borders on the totalitarian). Nolan questions the degree of power that someone like Batman should possess and whether or not he actually possesses it. Much of the film is spent analyzing this philosophical query, with Batman's tech-support man Lucius Fox even weighing in with his two cents. Regardless of the film, Nolan inserts the same preoccupations again and again. For example, in the Prestige, Nolan advances the speculations of philosopher Martin Heidegger by examining the illusion of time with a nonlinear narrative: "For Heidegger, authentic temporality concerns itself above all with the future, whereas the film's notion of time is tied to repetition. According to the logic set forth by the Prestige, the idea of time as linear forward motion is the effect of an illusion…and it serves to disguise the role...
Philosophical forays coupled with intense special effects, a gritty and/or elegant film noir style, and a re-imagining of stereotypes and genres is what Christopher Nolan typically brings to each of his films. This essence is easily seen in the Dark Knight, what with the questions of morality posed by the Joker's mayhem, Batman's seemingly unlimited ability to spy on all the citizens of Gotham, and the public's unease with vigilante justice. Each of these topics is addressed and scrutinized within the narrative of the film.
Another theme which is symbolized by this dual, contradictory character in Batman films is fear, especially Christopher Nolan's Batman Begins. The darkness of Batman's outfit instills fear. Bruce Wayne is initially scared of a bat he sees out the window and bat is also a dark color. What Bruce is in Batman Begins is an individual with fear who not only tries to overcome it but also becomes part of
Batman 1989 As depicted in this DC-comic-based movie, Gotham City is a fictionalized concept of New York or Chicago in the late 30s rather than in the bicentennial period of its independence in 1776. The behavior of the characters, the black-and-white television sets, the locale and the overall mood of the fiction are suggestive of that period before the last War rather than of the conditions in New York or Chicago
Fan Fiction: Batman Batman: The Next Generation (2033). Episode 1: Setting the scene The source of Alfred Wayne's fortune was shadowy, even to Alfred. From a young age, Alfred had been raised by a series of maids and butlers. He did know, however, that a higher intelligence had been guiding his growth and development from a young age. Unlike some rich boys, he was placed on a strict stipend, according to the wishes
In Miller's Batman, one sees a man waging war on a world that has sold its soul for empty slogans and nationalism: the Dark Knight represents a kind of spirit reminiscent of what the old world used to call the Church Militant -- he is virtue violently opposed to all forms of vice -- even those that bear the letter S. On their chests and come in fine wrapping. Miller's
Dark Knight Returns Almost since his debut in 1939, the character of Batman has alternately been condemned and celebrated as an image of male homosexuality, and the various subsequent iterations of the character have frequently alluded to this characterization, whether implicitly or explicitly. In his seminal 1986 book The Dark Knight Returns, author and illustrator Frank Miller takes uses the potentially homosexual signification of Batman's character as a means of exploring
Superheroes Ruba Superhero Shows and Its Effects on the Behavior and Thinking of Audience Since childhood, people had been exposed to different forms of media, which can be in the form of broadcast (radio and TV), print, and film media. Of all the forms of mass-communicated media, television and print are the most popular forms to children, since they contain audiovisual (for TVs) and visual (print) entertainment. The most prevalent form of entertainment
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