Most readers are likely to make a connection between the two images at this point as the stigmata is an element which is present in both Santiago and in Christ.
Hemingway himself wants readers to be certain that the injured hand is an essential factor working as support to the comparison made between Christ and Santiago. The "Ay" exclamation also reinforces this belief. "There is no translation for this word and perhaps it is just a noise such a man might make, involuntarily, feeling the nail go through his hands and into the wood" (Hemingway, 1984, p. 82). Both the sufferings experienced by Christ and by Santiago have been made so that life will go on in peace.
Santiago stands as a living martyr (if such a concept can exist) in a world which treats him mercilessly. In contrasts to models such as courage, camaraderie, and dedication, Christianity is a unique theme. This can be observed through the special attention given to it by the author, as well as through the intensity with which it is depicted.
Santiago does not necessarily feel hatred for the sharks at the time when they attack him and rob him of his much prized possession. He understands that it is part of nature's ways of dealing with life and goes through the experience proudly, even though his morale is brought to the ground because of this episode. Physical pain, no matter of its amount, does not succeed in ruining the old man.
Critics might be inclined to believe that the similarities between Christ and Santiago are actually fewer than some people think. For example, they can consider the old man's mission to be merely honorable, and that there is nothing sanctifying about a man willing to risk his life in order to capture an extra-large fish. This should not mean that Hemingway wanted his hero to be lesser than a god-like being, but that he wanted the public to have a feeling of uniqueness when relating to the character. The author does not want his readers to believe that Santiago has lost his human features, as he actually goes at supporting this concept by referring to how the old man is not actually religious. In order for an individual to live a balanced life, he or she must not necessarily be religious, as they mainly have to devote themselves to living their lives by several rules meant to prevent them from falling to disgrace.
Christ is also a fisherman, just as Santiago, only that the former focused on catching human beings whom he would lecture to instead of capturing fish....
Early in the book, the fishermen look at him with sadness, or with derision (Hemingway 1980, 11), but there is still a camaraderie and togetherness in their group that indicates they are all brothers in the same quest for a living. Finally, religion and spirituality is an important aspect of the novel that many critics acknowledge. Critic Bloom continues, "In the Old Man and the Sea, Santiago, the principal figure,
All of this was represented in the figure of Daisy Miller. On the other hand, James also perceived this American entity as being and ugly American' who was uncultured, crude, ego-centered, and grasping. Randolph, Daisy's younger broth, perfectly epitomizes this other allusion. Other symbolisms appear in the Coliseum where the place itself is symbolic of the ruins of a decadent empire -- again the symbolism of a meaningless, drift less
Old Nurse's Story Elizabeth Gaskell's "The Old Nurse's Story" uses gothic imagery and Victorian themes to elucidate the role and status of women. Online critics claim the story is filled with themes of "male domination, females' sense of powerlessness due to this dominance, and the ambiguous results of women's struggle against males in the Victorian era," ("The Damning Effects of a Patriarchal Society in "The Old Nurse's Story" and "The Yellow
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