" He says this to Laertes, to explain why he has not physically punished Hamlet yet, for the killing of Laertes' father Polonius. Thus, the two must conspire to punish Hamlet via a duel with a poisoned sword, says Claudius, because he cannot offend the queen. This quote shows the king's lying nature, as the king cares less for Polonius than eliminating the son Hamlet, who knows how he came to the throne, and his fears of raising suspicions in the court about his complicity in old Hamlet's death.
2) "You-here? You have the gall to show your face before the palace gates? You, plotting to kill me, kill the king-I see it all, the marauding thief himself scheming to steal my crown and power!"
As his fate closes around him, the king of Thebes "Oedipus" raves in horror at the sight of the blind prophet Tiresias at the gate, whom he blames, temporarily and foolishly for his evil fate, attributing guilt to the fortuneteller by association with fate.
3) "Creon is not your downfall, you are your own!"
Tiresias...
Q: There is a good deal in the play about seeing and blindness. What purpose does this serve? How is Oedipus contrasted with Teiresias? How does Oedipus at the beginning of the play contrast with the Oedipus at the end? Why is his blinding himself dramatically appropriate? A: The physical conditions of sight and blindness in the play serve symbolic functions, particularly as these conditions manifest themselves in Oedipus himself. Oedipus
His physical loss of sight is penance for the lack of insight he had at the start of the play. He has exchanged physical sight for mental insight into the truth. 4. Rhetorically, Oedipus uses the diction of a king at the beginning of a play. He plays the role of one in power, and of a person in full control of and with confidence in himself. When his people
His nephew turned against his own country and he got what he deserved. but, in king Creon's view, death is not enough. He believes in setting an example and uses the occasion as an opportunity to make a point and warn all those who dared to defy their country of the fate that was expecting them, too. In this case, King Creon is wrong, because he will eventually pay
In shaping his dramatic theory, Aristotle surveyed the drama of his time and developed certain concepts regarding the nature of the tragic hero. The tragic hero must be an important person with a character flaw that causes him to make a great mistake leading to tremendous suffering and a fall from his high status. The tragedy derives from the fact that none of what occurs is the tragic hero's
Plot Oedipus Rex revolves around the titular character, a king who unknowingly murders his father and marries his mother. Through a series of revelations and prophecies, he uncovers the tragic truth about his past and blinds himself in despair. In contrast, Antigone focuses on the conflict between the state and the individual conscience. Antigone defies her uncle, King Creon, by burying her brother Polyneices, who was considered a traitor. Her actions
Antigone and Oedipus Rex are both tragic plays by Sophocles. In many ways, these plays are similar to one another as tragedies. For one, they are part of the same set of texts by Sophocles. Antigone is the first installment in the series of three plays. Oedipus the King (Oedipus Rex) is the second of the trilogy. Second, the title characters in the plays are related, as Antigone is the
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