The wildly prolific Joyce Carol Oates also delves into the role of modern women in her fiction writing, although a quick review of her works spanning the course of the 20th and 21st centuries, suggests it is more difficult to draw as direct a connection between Oates' major works and biography than it is with Chopin. However, like Mrs. Mallard of "The Story of an Hour" briefly delights in a fantasy coming to life, only to find her hopes dashed when the promise of freedom is taken away, the heroine Connie of "Where are you going, where have you been," finds her fantasy of being seductive and more beautiful than her conventional mother and sister to be far different than she realizes in reality. In Oates, much more explicitly than in Chopin, the trap of femininity 'used' as a vehicle of liberation for the teenage Connie becomes a lie, as Connie becomes the victim of rape and possibly (it is implied) even murder. The weak-hearted Louise of "The Story of an Hour" might fantasize about using her inheritance to travel. However, Connie actually makes herself look beautiful -- but when she is confronted with Arnold Friend who styles himself on an image of James Dean and other rebellious male figures, she discovers that beneath the veneer of approval for her and his apparent rebellion he just wants her sexually and he is ugly and old. Connie originally wanted to be powerful through her sexuality but her culture has rendered her passive as a woman so she merely lets Friend into...
Conflict Between Exterior and Interior Life Kate Chopin's "The story of an Hour" offers a story behind a story. First it can be noted that this talks about Mr. And Mrs. Mallard. Mrs. Mallard received a news that her husband has just died. This prompted for a roller coaster of emotions to build inside her heart and mind. First, she felt sadness. She was saddened by the fact that she is now
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