find me a quiet, pretty girl, he wrote, not brash, like Calcutta girls are nowadays, not with too many western ideas. Someone who would be relieved to have her husband make the major decisions. But she had to be smart, at least a year of college, someone he could introduce to his friends with pride (Divakaruni).
This quotation shows how superficial and self-absorbed the narrator is. He does not desire an equal, or even someone he is compatible with. He wants a mate who will not oppose him ("quiet"), traditional, and who will not embarrass him in front of his friends due to an inferior intellect. This "pride" the author has referenced is truly the downfall of the narrator, who proves extremely dull-witted for believing if a woman can fulfill those limited requirements denoted in this quotation that she will love him, or stay with him. This quote also proves how dull a person he is if he wants a wife only to fulfill these limited requirements.
The crux of this short story, and the limitations of the protagonist, which are revealed in the author's third-person narrative centered on the protagonist is that he is not even astute enough to recognize the truth about himself. It is one thing to be completely oblivious of the feelings of another -- even someone as close as one's wife. But to be so oblivious that one is not even cognizant of one's own feelings and the effect of one's actions indicates how blissfully ignorant of even himself the protagonist actually is. As is the...
33 that she and her husband saved together (Albert 99). Her husband, a proprietor of a 7-11 in a dangerous neighborhood, has worked hard for the family to establish a foothold in American society, and to leave his dream behind her seems like a defeat and a betrayal of his memory, as well as betrayal of her new identity. When her husband dies, Sumita knows that to return to India will
Peter Singer and Chitra Divakaruni each offer a powerful commentary on world poverty. Both of their respective essays, "The Singer Solution to World Poverty" and "Live Free and Starve" demonstrate good writing skills and rhetoric are therefore worthy pieces for inclusion into any book club. However, of the two authors only Divakaruni has first-hand experience of poverty. Singer's argument, while more shocking and powerful than Divakaruni's, falls short because of
The characters in the poem are enjoying an Indian movie with a simple plot that makes them cry and feel good among themselves although for as long as the film was running, they have returned to their Indian identity completely loosing their American features. The two authors share the same revelation that came later in life and made them write the two respective literature pieces. but, while Divakaruni is writing
Symbolism plays a major role in Chitra Banerjee Divakaruni's "Clothes," Ralph Ellison's "Battle Royal," and in Colette's "The Hand." In "Clothes," the narrator is a woman in India from a traditional Bengali family. Her parents go through a lot of trouble to arrange a good marriage for her, to an Indian man who now lives in the United States. The husband-to-be flies all the way to India to meet the
Clothes Do Clothes Make the Woman? Clothes, Silence, and Rebirth in Chitra B. Divakaruni's short story entitled "Clothes" Chitra B. Divakaruni's short story entitled "Clothes" begins in India and ends in the Indian community of America. However, Divakaruni clearly hopes to impart in the readers' mind a more universal lesson than one confined to the central protagonist Sumita's immediate cultural context, despite the many details present in the tale that are particular
Asian Studies Segregation can breed empowerment, by creating self-defined and self-sustaining communities. Asian communities, for example, have been able to maintain identities that are separate from the white hegemony. Terms like Asian-American music, Asian-American literature, and Asian-American humor both promote and challenge social segregation in American society. Hawaiian band Sudden Rush uses the vehicle of music to convey a unique cultural identity, and to resist the appropriation of Hawaiian culture. For example,
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