Chemistry
The Many Dimension of Red
Red is one of the oldest colors known to humans. It is a color that carries with it significant emotional meanings. Red occurs in nature on Earth and in the cosmos. It is a dynamic color affecting people and animals. The paper will explore the history of the color red with regard to its chemical properties, natural history, and cultural significance. The study of color proves useful and fruitful across a plethora of disciplines such as chemistry, advertising, psychology, and art. For many humans, colors and sight circumscribe reality. For such people, life without colors diminishes its exuberance and meaning. The paper addresses multiple topics regarding the color red reflecting upon the ways the color generates meaning for individuals and cultures.
Humans perceive only a fraction of the light spectrum. Of the part of the spectrum that is visible to the human eye, the color red consists of the longest wavelengths perceived by human beings. The wavelengths just beyond red, invisible to the human eye, are called infrared and are detectable through tracking heat signatures. Red connects to heat and warmth. Color psychologists, artists, and advertisers understand the power of red to energize viewers. In western culture, sexy or attractive women wear items such as red lipstick, red high-heeled shoes, or a red dress. There exist two films about the seductive powers of women in red[footnoteRef:0] and a moderately famous song from the 1980s, a ballad, about the charms of a lady in red.[footnoteRef:1] Valentine's day is a holiday that saturates the market with products that are various shades of red. Therefore, red refers to sexual prowess, sexual appetite romantic feelings, love, and feelings such as passion and excitement. There is another song with a title and chorus that reads, "There is a Thin Line between Love and Hate."[footnoteRef:2] If people associate red with love and sex, they may also associate the color red with anger, rage, fury, and hate. When people become upset to the point that their systems are overwhelmed, they may describe the feeling as "seeing red." There is a very pointed use of the color red triggering rage in films such as Kill Bill: Volumes 1 & 2[footnoteRef:3], and V for Vendetta.[footnoteRef:4] In cultures across human history, what red has symbolized falls across a wide spectrum. Red has meant war, royalty, evil, purification, warning, and strength. Hovers et al. write: [0: Lewis Teague (dir.) The Lady in Red. 1979. John Sayles (writer); Gene Wilder (dir.) The Woman in Red. Orion Pictures, 1984. ] [1: Chris de Burgh. "The Lady in Red." Borderline, A & M, 1986] [2: Robert & Richard Poindexter. "Thin Line Between Love and Hate." Atco Records, 1971.] [3: Quentin Taratino (dir., writer) Kill Bill: Volumes 1 & 2. Miramax, 2003 -- 2004.] [4: James McTiegue (dir.) V for Vendetta. Warner Brothers Pictures, 2006.]
"Red, in particular, has a symbolic significance that crosscuts cultural boundaries (often being associated with life, success, and victory in African, Australian, and native North American societies). Cross-cultural linguistic studies support this hypothesis...Black and red pigments were the earliest to occur in prehistory and are relatively abundant in Paleolithic sites. Of the two colors, it is red that dominates the Paleolithic color palette (Bahn and Vertut 1997:115), usually in the form of ochre…" (Hovers et al., "An Early Case of Color Symbolism -- Ochre Use by Modern Humans in Qafzeh Cave," Page 493)
Red demonstrates itself as a truly dynamic and flexible color in the minds of humans.
Figure 1 - The Chemical Structure of Nile Red
The earliest known shades of red used by humans was called ochre. (Winsor & Newton, www.winsornewton.com/) Shades of red occur naturally in the dirt, sometimes called red earth. (Winsor & Newton, www.winsornewton.com/) Early humans use colors to decorate their homes, their bodies, and the objects they constructed. Many historians agree that the ancient Egyptians contributed significantly to the development and manufacture of colors, generating colors by washing and crushing assorted minerals. They are believed to have developed the first bright red, known as Cinnabar. (Winsor & Newton, www.winsornewton.com/) Approximately two millennia before the ancient Roman civilization, the Chinese civilization produced the red, Vermillion. The Chinese heated naturally occurring mercury and sulphur; this produced a very strong and deep red pigment that virtually replaced Cinnabar by the 18th century. (Winsor & Newton, www.winsornewton.com/) Cultures around the world washed, ground, and heated minerals and dirt that they found to create various shades of red. Hovers et al. agree: "Red ochre can either be collected from...
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