¶ … Charlotte Bronte's novel Jane Eyre illustrate Jane's troubled beginnings as an orphaned girl. The narrator of the story, Jane describes her being raised by her cruel aunt Mrs. Reed at the family's Gateshead Hall. At only ten years old, Jane's formative years fill with psychologically traumatic experiences. Her own aunt and cousin John act as Jane's primary antagonists at this point in the novel. Resentful of Jane and patronizing her for her poor and orphaned state, Mrs. Reed and her son John tease and patronize the young girl. But her strength of character succeeds; although at first Jane maintained a low profile at Gateshead in an attempt to ignore John's punishments, she finally reacts. Fighting John landed Jane in the red-room, but it also led her to the kind-hearted Bessie and Mr. Lloyd. Jane's honesty and ability to open up to the nurse and apothecary garner sympathy and she gains personal awareness of her feeling estranged at...
Bessie and Mr. Lloyd encourage Jane to go to school, and Jane's confidence increases. She endures Mrs. Reed and her cousins but does not shy away from talking back. Her spunk and personal spirit enable Jane to survive her difficult years at Gateshead Hall and provide a foundation of character that she carries with her into young adulthood.
GOTHIC NOVEL & JANE EYRE According to E.F. Bleiler, "Before Horace Walpole, the word 'gothic' was almost always a synonym for rudeness, barbarousness, crudity, coarseness and lack of taste. After Walpole, the word assumed two new major meanings -- first, vigorous, bold, heroic and ancient; and second, quaint, charming, romantic, but perhaps a little decadent in its association with Romanticism, but sentimental and interesting" (12). Of course, Bleiler is referring
Bront plays with foreshadowing with this scene because Blanche Ingram will soon enter the story. Another powerful scene that connects weather and Jane's emotional state occurs when Jane realizes that Rochester is already married. She writes from a forlorn state of mind: Jane Eyre, who had been an ardent expectant woman-almost a bride-was a cold, solitary girl again: her life was pale; her prospects were desolate. A Christmas frost had come at
Ironically, although Jane begins her titular novel as a child, dependant upon the good and not so good will and promise of the Reeds to her father, Raney is utterly emotionally dependant upon her mother for her opinions, as well as financially and socially dependant, even as she is ready to be married to Charles. Marriage, at the beginning of the tale for Raney, thus is merely a continuation
women's places through the writing of British fiction. Using three classic examples of women's fiction in British literature the writer examines the overt and underlying relationship women have in the world and with society throughout the evolvement of literature. There were three sources used to complete this paper. Throughout history authors have used their works to explore societal lessons. British literature is well-known for its ability to draw attention to
Dracula - Bram Stoker's Immortal Count, the Modern Anti-Hero and Fallen Angel of Romantic Dreams Dracula, written by Bram (Abraham) Stoker in 1897, and was originally published by Archibald Constable and Company. The modern version is Published by Penguin Classics, London. Dracula is set in 1893, 4 years prior to the books published date of 1897, Bram Stoker takes the reader from the journey of a young Solicitor named Jonathon Harker
In fact, all these novels are concerned with the psychology and attitudes of the characters, and use them to represent the fragmentation and uncertainty in society. The characters own lives are uncertain and fragmented, and this represents these themes in society at large. Rhys also wanted to confront areas of British society that remained hidden and unacknowledged in her novel. In "Jane Eyre," the character's madness is simply alluded to,
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