Changeling is the 2009 film directed by Clint Eastwood that looks at the complex relationship between Christine Collins and the Los Angeles Police Department (LAPD) as she sets out to find her son, Walter, who vanished and "mysteriously" reappeared only to have been replaced by an imposter. Through her continued insistence that the child returned to her was not her legitimate son, Reverend Gustav Brieglib, who was on a personal mission to expose the LAPD's corruption, is able to demonstrate that the police department, and Captain J.J. Jones who handled the Collins' investigation, acted negligently in their investigation and the subsequent (unlawful) detention of Mrs. Collins. Through Changeling's narrative, plot, and dialogue, Eastwood is able to highlight the impact and influence of social institutions on abuse and corruption and the disempowerment -- and subsequent empowerment -- of women.
Changeling begins with Christine Collins (Angelina Jolie), a single, working mother, and the mysterious disappearance of her son Walter. Instinctively, Mrs. Collins calls the police to report Walter missing and is subsequently informed that she must wait at least 24 hours before police will look into the disappearance (Changeling; Straczynski 12). Despite reporting her son missing as soon as she noticed his absence, Mrs. Collins does not hear any news until two weeks after his disappearance when she is informed that her son has been located and will be returned safely to her shortly. It is during this time that the audience is introduced to the social institutions of mass media and the influence that it has on the public when it is used by religious institutions and the influence it has when used by the police.
Prior to being informed that her son has be located, the audience is introduced to Reverend Gustav Brieglib (John Malkovich), a Presbyterian minister, as he gives a sermon to his congregation. In this scene, Reverend Brieglib is shown to have a substantial number of church members in attendance who not only share his vision, but also who demonstrate the reach of his beliefs. Furthermore, through his sermon, the audience is informed that it has been two weeks since the disappearance of Walter Collins and that they "pray for her today as we have every day since we first learned of her situation on the radio and in the newspapers" (Changeling; Straczynski 13-14). In this scene, it is established that media has played a monumental role in Mrs. Collins' and the LAPD's search for Walter. In the scene where Mrs. Collins and her son are to be reunited, the audience is introduced to Captain J.J. Jones (Jeffrey Donovan), the lead investigator on the case. In an attempt to depict the LAPD in a better light, amidst the allegations of corruption that have plagued the force for many years as Reverend Brieglib alludes to in his sermon, Cpt. Jones invites the media to document the happy reunion. However, the child that is returned to Mrs. Collins is an imposter and though she promptly informs Cpt. Jones of the error, he insists that she take the boy home "on a trial basis" (Changeling; Straczynski 24). Despite Mrs. Collins' insistence that the boy is not her son, she is photographed with the boy and Cpt. Jones by the media, who then announces that Mrs. Collins has been happily reunited with her son through the help of Cpt. Jones.
In the public sphere, the police use the media to manipulate the public into believing that they had accomplished a grand task and reunited Mrs. Collins and Walter even though they had not truly done so. Instead of admitting their mistake, the LAPD uses the good publicity to help further better their image and convince the public that they are not a corrupt entity. Moreover, the LAPD, through the use of mass media, attempt to manipulate the public into believing that Mrs. Collins is delusional in believing that the boy that was returned to her is not her son and publishes an article in the LA Times refuting Mrs. Collins' claims. By abusing their authority...
The quick shifts of the young lovers' giddy affections thus take place in the 'real world' of Athens, just as they do under the power of Puck's magic. Love in fairyland is not that different from the real world, it only looks different on stage and screen. Even when there are misunderstandings, these misunderstandings are often merely illustrations of a larger truth, as when Hermia wrongly accuse Helena of taking
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