Humanity seems to unravel altogether in Pi: Faith in Chaos, both written and direct by Darren Aronofsky. Max is a brilliant but socially crippled young mathematician who has built a supercomputer and possibly unlocked the mathematical secrets of the universe, explaining everything from the stock market to God. The mathematical precision with which the world would operate if this is true casts a great deal of doubt on the existence
Of note, Out of the Past was released in Europe and Great Britain as Build My Gallows High. It seems that both films could have been subtitled with this alternative note, particularly when we focus upon the editing -- each piece is but a plank in the construction of the gallows and when the camera has had enough of these nefarious people they are then cast aside as they do
Silent Film: Robert Flaherty and Nanook of the North Robert Flaherty is one of the most renowned filmmakers of all time. He was born in 1883 and died in 1951, so that his life and work encompassed what is frequently referred to as the Golden Age of cinema. Although Flaherty was an American, he lived near the U.S./Canadian border, and went to Toronto for his schooling. His early work experience was
Crouching Tiger Hidden Dragon The film, documentaries and the last docudrama are exceptional production pieces by notable directors and producers. Crouching tiger-hidden dragon defies the usual mantra of strength only attributed to men. Jen effectively acts as person having higher morals. The martial arts performance was exceptional, an unusual feature in Hollywood. Islam, the empire of faith is another documentary made on the rise of Islamic empire and the life of
Films and Filmmaking As Spike Lee noted in the 25th Anniversary celebration of his film Do the Right Thing, "the only reason why my generation went to film school was we couldn't get our hands on the equipment" (Macfarlane). Do the Right Thing had an independent feel to it, largely because of Lee's hands-on oversight of production, direction, writing and editing -- but it was ultimately a Universal picture. Since its
Matrix or the Cave? The Matrix (1999) has singlehandedly brought the debate over the epistemology of the Real into popular dialogue. For the first time in centuries --if not in history-- a large section of the common crowd had a metaphor by which to question the very existence of objective reality. At bus-stops and street-corners, in fast-food restaurants and movie-houses, populations who would never have read Plato or Heidegger were discussing
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