The fact that smoke obscures vision even for the sighted is of course important; the cigarettes being smoked not only make Robert more like the unnamed narrator, but they also make the narrator more like the bind Robert by reducing this narrator's vision, though not in an extreme way. The smoke that uncurls between these two characters later in the story is even more effective at bringing them together. The

Cathedral Character Analysis: Cathedral Narrator The objective of this study is to present an argument that the narrator in 'Cathedral' is a complex and sympathetic character and to consider the extent to which he seems unaware with his own limitations despite being incapable of articulating that unhappiness. The narrator in the work of Raymond Carver entitled "Cathedral" is a complex and sympathetic character who is unaware of his own limitations and essentially

The beginning of the end being her attempted suicide, due to the fact that she felt disconnected from him, her first husband, and the world, as he was in the military and they had constantly moved away from human connections she had made. (Carver NP) Her second marriage, to the insular narrator, going to bed at different times, and he sitting up watching late night television in his insular

Carver's "Cathedral" An Analysis of Theme and Plot in Carver's "Cathedral" Raymond Carver states that by the mid-1960s he had tired of reading and writing "long narrative fiction" ("On Writing" 46). Shorter fiction, he found, was more immediate. Flannery O'Connor states a similar idea in The Habit of Being: for her, the novel was a literary medium that could bog down all of one's creative powers. Turning to a short story was

Raymond Carver, "Cathedral" Raymond Carver's short story "Cathedral" is narrated in the first person by the unnamed protagonist, and tells a deceptively simple story: the narrator's wife (also unnamed) has invited her former employer Robert, an older blind man recently widowed, to come for dinner and stay the night. The husband is resistant to the social occasion, but goes through with it -- although his narration makes us privy to his

Carver, "Cathedral" Despite its prominent placement in the title of the story, the cathedral in Raymond Carver's short story "Cathedral" takes quite a while to make its appearance. The story instead is about a marriage -- a husband and wife have a guest to dinner. Carver's story is narrated in the first person, from the perspective of the husband, so to some extent the symbolism of the story is constructed with