¶ … Canterbury Tales, by Geoffrey Chaucer [...] parson, who is one of the truly good characters in the tale. Chaucer does not make a satire of him, as he does the rest of the characters. The parson is a good and decent man who cares about his religion and his parishioners deeply. His is unlike the other characters in that Chaucer holds him up as a model, rather than making a mockery of him.
THE PARSON
From his first introduction, Chaucer portrays the Parson as a good but poor man who would not leave his flock to better himself. Chaucer writes, "nat his benefice to hyre / And leet his sheep encombred in the myre / and ran to London unto Seinte Poules / to seken him," (507-512). This shows he is honest, and cares about the people of his church, so he would not leave them and got to London to find a better position, even though he is poor (32N507-514). Instead, Chaucer says he "dwelte at hoom, and kepte well his folde" (507-510),...
The destination is a holy and venerated site, one that should inspire devotion, a spirit of penance, and peace; and it is fitting that a merry man should be the one to invite the other pilgrims to the game of the telling tales. Unlike Dante's pilgrimage through the afterlife, which tends toward a much more spiritual focus, Chaucer's pilgrimage is earthly in the sense that its main focus is on
Knight's Tale" from "Canterbury Tales," by Geoffrey Chaucer. THE KNIGHT'S TALE The Knight's Tale" is one of the most memorable in Chaucer's "Canterbury Tales. It tells the story of two young knights, Palamon and Arcite, who are imprisoned together in a tower, and both fall in love with the same girl, Emelye. Chaucer wrote it in Middle English, which, unlike Old English, is fairly easy to read and understand by modern
Chaucer's "Retraction" and Its Meaning within the Context of the Canterbury Tales The "Retraction," a fragment that follows the last of the Tales in Chaucer's masterpiece, has attracted much critical attention, as students of Chaucer attempt to divine whether it implies a renunciation on the author's part of his work, or is intended ironically. Benson comments that "the authenticity of the Retraction has been challenged" (Benson, 2000), and certainly it is possible
But still, the medieval English literature gave strong clues as to how much influence religion had at that time. Hill's essay concerns "The Ballad of St. Stephen and Hero," a poem that "clearly displays the tendency of medieval popular religion to reshape 'historical' narrative to conform to the conventions and expectations of traditional or 'folk' narrative. St. Stephen, in historical context, was reportedly the first Christian martyr. After the death
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