“My Last Duchess” by Robert Browning versus Shakespeare’s Sonnet 94:
Ironic Menace versus Sincerity
“My Last Duchess” by Robert Browning takes the form of a dramatic monologue, in which a duke describes his first wife to an emissary arranging for the Duke’s second marriage. The Duke displays a portrait of his last wife proudly, noting how beautiful she is, but also jealously states that she was too liberal with her smiles and that he resents how freely she acted towards other people, as if she valued her husband’s noble name on the same level as a commoner. Gradually, the reader becomes aware of the fact that the Duke is a murderer, and is speaking of his wife as a kind of warning to the representative of the family of his future, next bride. The cool and civilized language of the Duke is an ironic contrast with his actual actions. The poem is clearly not Browning’s heartfelt outpouring of personal emotion along the lines of Shakespeare’s sonnets but rather is a calculated portrait of the psychology of a murderer.
Even the first line of the poem, “That’s my last Duchess painted on the wall, /Looking as if she were alive,” seems chilling (1-2). The Duke notes he is the only one permitted to draw back the curtain, as if he prefers having the image of a woman he can control rather than an actual, living woman. “ Sir, ’twas not/Her husband’s presence only, called that spot/ Of joy into the Duchess’ cheek,” he notes, underlining his possessiveness, as...
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