It is in the imagery of music that we come to understand Sonny's character. He is a tortured soul. He represents sadness and feeling, by contrast with his brother who represents fear and reason. Sonny does not avoid the darkness. He dives into it. The darkness and ice nourish him for some reason. He finds it in the blues he plays and in his obsession with music. At the same time, he sinks into his own depths, never able to talk. The image of depth characterizes him. Sonny withdraws into himself. He becomes insular in response to the outside world. His brother remembers him as a child full of "privacy" (1). This suggests a personality trend that contributes to the way he deals with suffering and conflict. After fights with his father, his brother remembers that "Sonny just moves back, inside himself, where he can't be reached" (8). In other words, from hurt at misunderstanding, he won't listen or be reasoned with. it's why he is misunderstood. He feels like a man "who's been trying to climb up out of some deep, real deep, and funky hole, and just saw the sun up there, outside" (5). Here depth is connected with the absence of light. Sonny is neither strong nor rational like his older brother. He is "loose and dreamlike," reflecting the jazz he loves and the drugs (16). His brother views his music as an excuse for a ruinous lifestyle (16). They fight at his Greenwich Village apartment, as they go down separate paths. Sonny's brother has no room inside him for the negative. He keeps everything outside, externalized, so that he doesn't have to feel it. The siblings are opposites. "I hadn't wanted to know,"...
. . I didn't want to believe that I'd ever see my brother going down, coming to nothing, all that light in his face gone out" (2). He rejects his brother's "downfall" because it is a fear too difficult to bear. The siblings live in different worlds created by different personalities responding to the same circumstances.Daru is still trying to cling to a sense of morality; yet, the Arab himself shows how this will not work in a world of uncertainty because after he is set free, he goes to the police station himself. James Baldwin's "Sonny's Blues" Topic 6 James Baldwin's "Sonny's Blues" is an interesting tale of a lost soul, who finds his solace and ability to express himself through the art of music.
They were followed in 1936 by the Harlem River Houses, a more modest experiment in housing projects. And by 1964, nine giant public housing projects had been constructed in the neighborhood, housing over 41,000 people [see also Tritter; Pinckney and Woock]. The roots of Harlem's various pre 1960's-era movements for African-American equality began growing years before the Harlem Renaissance itself, and were still alive long after the Harlem Renaissance ended.
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