Breakfast at Tiffany's was released on October 5, 1961 in the United States. It was directed by Blake Edwards, and distributed by Paramount Pictures. Starring Audrey Hepburn and George Peppard, the movie is loosely based on Truman Capote's novella of the same name, which had been published along with three short stories in 1958. Audrey Hepburn, who was 32 years old at the time, delivered what has been generally considered her most memorable role. Moreover, she also performed the song "Moon River" which helped composed Henry Mancini to win an Oscar for Best Song. Breakfast at Tiffany's is the story of a woman trying to make it on her own in the big city, and her friendship which eventually evolves into love, with a young man who has just moved into her building.
The plot is rather simple, and although the movie is merely loosely based on Capote's novella, it gains an unforgettable comedic touch which has the power to enhance its darker, more serious aspects, such as Holly Golightly's desire to marry rich in an attempt to find both a husband, and a father who would provide for her. Another aspect I deeply enjoyed is the fact that similarly to its protagonist -- suggestively named Holly Golightly -- the film is bittersweet, leaving the viewer to reflect on issues such as the essence of life, and the definition of happiness. In addition, the musical score is brilliant and fits the plot beautifully. In fact, Breakfast at Tiffany's won two Academy Awards -- for Best Song and Original Music Score. Last but not least, whenever discussing this film, one cannot overlook the costumes -- Hubert de Givenchy's gowns for Ms. Hepburn successfully uphold Capote's style even when the plot of the film deviates from his writing. The only less positive remark to be made about the film is precisely the fact that it deviates from Capote's text. However, this is a double-edged sword because for instance, by not exploring both Holly's and Paul's sources of income, the film gains grace and sensitivity, and allows the audience to deduce the truth rather than just offer them an answer.
movie industry in America has been controlled by some of the monolithic companies which not only provided a place for making the movies, but also made the movies themselves and then distributed it throughout the entire country. These are movie companies and their entire image revolved around the number of participants of their films. People who wanted to see the movies being made had to go to the "studios"
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