¶ … Allegorical Dracula
It seems strange at first to consider one of the greatest of Victorian gothic novels, and the genesis of the entire modern vampire craze as a masterpiece of Christian fiction. However, it is precisely accurate to do so. If it were written today, it would most certainly be considered Christian niche fiction. The entirety of the novel is filled with appeals to the wisdom, justice, and aid of God, and the protagonists eventually consider themselves to be the righteous warriors of God fighting to save Christian England. There is throughout a very strong sense of evangelicalism in phrases such as "God is merciful and just, and knows your pain and your devotion."(Ch 22) What, one might ask though, is a Christian book doing introducing one of the most seductively evil of modern monster protagonists? The answer is as simple as it is obvious: the vampire Dracula is portrayed throughout and meant to be interpreted as a gothic version of the dread Antichrist of Christian myth. In short, Bram Stoker's Dracula can be justly reinterpreted as an allegory about power of Christ and his Church overcoming the predations of the Antichrist.
His status as an Antichrist figure is relatively obvious. To begin with, it is commonly known that the word "Dracul" means both "devil" and "dragon" in its native tongue. The Antichrist is commonly considered to be the devil incarnate, even as Christ was God incarnate. According to traditional readings, the great Beast and the great Dragon of Revelations are considered forms of the Antichrist. Obviously, as Dracula means "son of the dragon/devil" there is a connection here. Additionally, his connection with the beast makes perfect sense. "Who is like the beast?" (Rev 13:4) the Bible asks, and Stoker answers by consistently painting Dracula as an animal. He goes down the wall like a lizard. He can transform into a wolf or a bat, and has power over all unclean creatures.
In Revelations the Antichrist has other more precisely vampiric qualities as well. He is said to have been "mortally wounded, and his deadly wound was healed." (Rev 13:12) Of course, in order to qualify as a mortal wound, a wound must kill someone. The Antichrist, it seems, is capable of being killed and healing his own wounds. This of course is a familiar trait belonging to vampires, who are nearly immortal and can survive many mortal wounds. The Antichrist of Revelations is seen to die and come back to life, even as a vampire was dead and lives again as one of the undead. Additionally, in Revelations the consort of the Antichrist, known as the Whore of Babylon, is said to be "drunken with the blood of the saints, and with the blood of the martyrs." (Rev 17:6) In short, she drinks blood even as do Dracula's consorts.
The Antichrist is not just a single prophetic character, however. He is also understood as the antithesis of Christ. Thus anything that is sacred to Christ may be seen in inverse in the Antichrist. This is obvious, for example, in the way in which communion is a vital sacrament of the Christian church and is parodied in Dracula's relationship to blood. In Deuteronomy the Israelites are instructed not to eat blood, because "for the blood is the life and you shall not eat the life with the flesh." (Deut 12:23) This is precisely the same phrase used by Renfield in explaining why he wanted to devour living things and blood, because he wished to devour life itself. "simply repeating over and over again, 'The blood is the life! The blood is the life!'" (Ch. 11) The importance of the blood being the life becomes apparent later in the Bible and in the book. Later Jesus will explain to his disciples: "Whoso eateth my flesh, and drinketh my blood, hath eternal life;...
The character of Dracula is both evil and corrupt in the extreme but he is also a source of sympathy to a certain extent. This apparent contradiction is due to the fact that his longings and desires are perverted in comparison to the normal, but they are still recognizable as human qualities even in their distortion and corruption. In the final analysis, it is possibly this strange mixture of
Bram Stoker's masterwork and greatest novel, Dracula, has been and remains one of the most culturally pervasive novelistic tropes of the last 100 years. Indeed, in multiple film versions as well as in the novel and myriad other mediums, it remains a deeply pervasive cultural idea. Part of the inspiration for the story no doubt takes elements from Stoker's own life and fictionalizes and dramatizes them to the point where
Dracula - Bram Stoker's Immortal Count, the Modern Anti-Hero and Fallen Angel of Romantic Dreams Dracula, written by Bram (Abraham) Stoker in 1897, and was originally published by Archibald Constable and Company. The modern version is Published by Penguin Classics, London. Dracula is set in 1893, 4 years prior to the books published date of 1897, Bram Stoker takes the reader from the journey of a young Solicitor named Jonathon Harker
Though the character is remarkably static for a major character -- he is meant to be seen as completely evil -- he is worth studying as a major character in regards to the origins of his evil and immoral behavior. On the other side of Dracula, Van Helsing, Dracula's foil is portrayed as an older, educated man who is, nonetheless, moral. While Dracula and Van Helsing share many characteristic, including
Dracula, By Bram Stoker Bram Stoker is considered to be the world's most famous horror novelist. Though he has produced a number of short stories, essays and novels, his classic novel Dracula, published in 1897 remains to be his most praised and admired work. Dracula is a story, which focuses on a Transylvanian vampire that comes to London. One of the most pressing themes in the novel, Dracula focuses on the
Murray, Paul. From the Shadow of Dracula: A Life of Bram Stoker. New York, Jonathan Cape. 2004. This biography of the often secretive and obscure life of Bram Stoker is based on factual details and evidence. The work also relates the life and times in which he lived to the other literary figures with whom he interacted. The book provides an absorbing insight not only into the man but into the social
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