Bonfire of the Vanities -- Psychological Critique
"On Wall Street he and a few others -- how many? -- three hundred, four hundred, five hundred? -- had become precisely that… Masters of the Universe. There was… no limit whatsoever! Naturally he had never so much as whispered this phrase to a living soul. He was no fool.
Yet he couldn't get it out of his head…" (Wolfe, 2008, p. 11).
The crude behaviors and drunken scenes -- and the arrogant, racist, power-mad characters -- in "The Bonfire of the Vanities" could be regarded as simply settings and players in yet another entertaining movie with a provocative plot that didn't follow the celebrated novel from which it sprang. In this case a Tom Wolfe novel has been perverted to some serious degree. And yet the film stands on its own two feet notwithstanding it's failure to capture the passion and drama of the novel. Indeed, there are fascinating research perspectives to be revealed when an alert reader delves deeper into this film's psychological features. In this paper the film's plot, characters, and themes reveal much about an effete, politically enabled society vis-a-vis two psychological concepts in particular: rampant racism and group identification.
The Literature and the Perspectives
Don Fletcher is a University of Queensland lecturer who explains in a peer-reviewed article that Jed Kramer's desire for Sherman McCoy's mistress Maria is not just based on his sexual intentions and desires. It goes deeper than that. Fletcher posits that Kramer's real motive is "specifically imitative" in that Kramer wants to be in with the in crowd, the rich Wall Street crowd (Fletcher, 1993, p. 48). Kramer wants to be like McCoy and have an cool pad and much more. That is why "…[Kramer] envies McCoy in the abstract as one of those who have young mistresses and those who have expensive houses or apartments," Fletcher explains. Kramer shares McCoy's "anxieties over money and extramarital sex" since they both "…justify their infidelities in the same terms -- "I'm young" -- while seeing their wives as essentially old" (Fletcher, p. 50).
Indeed, McCoy labels himself "Master of the Universe" (even though later in the film McCoy is reduced to a sniveling suspect in a hit-and-run case and transitions into the Great White Defendant) and notwithstanding McCoy's challenges, "Master" is exactly what Kramer wants to be. Kramer sees that McCoy cuts million dollar deals and swaggers through life and that's what Kramer wants. We're talking here about Kramer's passion to identify with a group, with an image and a psychology of authority and power -- e.g., group identification.
Social Dominance Theory
Meantime, one theory that seems to dovetail in terms of the film's social dynamics -- which entails a powerful thrust of group identification -- is the social dominance theory. An article in the journal Political Psychology posits that some of the contemporary theories that attempt to explain social oppression (racism, power-mad subcultures) are barking up the wrong tree so to speak. That is, social scientists that have attempted to understand the dynamics that create social domination by certain power groups have not fully explored "…the manner in which psychological, sociostructural, ideological, and institutional forces jointly contribute to the production and reproduction of social oppression" (Sidanius, et al., 2004, p. 846).
The theories that previously have attempted to conceptualize "prejudice and discrimination" -- like "modern authoritarian personality theory, aversive racism theory, and terror management theory" -- have, Sidanius asserts, relied on the "individual's psychological needs or values" (p. 846). Moreover, the authors explain, other theories like the social identity theory, self-categorization theory, among others, view the problems of discrimination, racism, and social bias towards people of color as "ultimately resulting from the social construals of the self" (p. 846). The theories mentioned hitherto fail to relate fully to the ideological and institutional "underpinnings of this oppression" and those theories fail because they focus on "strictly psychological motivations," Sidanius continues. The bottom line when scholars attempt to explain characters in "The Bonfire of the Vanities" in strictly psychological terms is that "Despite the valuable insights" this purely psychological approach can produce, it "fails to account for individual differences in the degree of discrimination and prejudice against 'the other'" (Sidanius, p. 846).
However, by employing the social dominance theory, the authors assert, one can put the spotlight on both the structural and individual factors that contribute to "group-based oppression." Group-based oppression against "the other" (African-Americans) is alive and quite well in this film, thank you. There is no doubt that classism, sexism, ethnocentrism, racism --...
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