Blue Winds Dancing.
The narrator here is in clear conflict with the value system of the white men. He is a Native American Indian who is attached to nature and traditional ways of his ancestors. The way of his people is the protagonist's way and the white man's value system -- the "civilization" -- is the antagonist. After living for some time among whites and studying in a college, he is disillusioned with what he found out. He loathes the "civilization" white men tried to teach him. After explaining how his people appreciate such values as sharing and loving the nature, the narrator critiques the idea of "civilization" through sarcasm. "Being civilized means," he says, "living in houses and never knowing or caring who is next door." It also means being greedy, "always dissatisfied -- getting a hill and wanting a mountain. . . . Progress would stop if he did not want these things." The narrator again uses sarcasm when he says "Maybe I am just not smart enough to grasp these things that go to make up civilization. Maybe I am just too lazy to think hard enough to keep up." Here he is taking a jab at claims that non-whites are lazy and not intelligent enough to appreciate the values of white man's civilization.
2. The narrator emphasizes that Native Americans are very attached to nature. It is part of their community. They believe that the nature -- animals, wind, snow, trees, etc. -- are like neighbors. Therefore, when he is close to his home and is literally alone, he says, "I am alone; alone but not nearly so lonely as I was back on the campus at school." On campus, he was lonely because he neither felt the presence of others (because white men lived without basically knowing each other spiritually, he suggests) nor the presence of nature. The school was in California and it was hot there. But now, since he is close to Wisconsin, his home, he is not that alone anymore because "[t]hose are never lonely who love the snow and the pines; never lonely when pines are wearing white shawls and snow...
Sonny's Outline James Baldwin. "Sonny's Blues." Junky. Keith Richards. Life. Question Under Investigation: What is the relationship between music and drugs in James Baldwin's "Sonny's Blues" and why does the character of Sonny need the two things? James Baldwin utilizes the concepts of music and drugs in a similar way, as a means by which the character of Sonny can escape from his real life which he find intolerable, as indicated in the very title
Charlotte Perkins Gilman's "The Yellow Wallpaper" to F. Scott Fitzgerald's "Winter Dreams" writing styles; James Baldwin's "Sonny's Blues" compare to my own life. Modernism vs. postmodernism Over the course of the late 19th and early 20th century, American literature began to turn inward. Instead of looking to outer manifestations of the human character, American authors began to use interior monologues as a way of creating a narrative arc. Stories such as
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He simply cannot escape these expectations. So, when Robert DeNiro takes on a comedic role, such as the role of the potential father-in-law in Meet the Parents, the moment he comes on the screen, the audience is aware that he is Robert DeNiro, in addition to the character that is being portrayed. Therefore, his character can do things that other characters could not. Who but Robert DeNiro could portray
The light shines through it, and the dark enters it. Borne, flung, tugged from anywhere to anywhere, for in the deep sea there is no compass but nearer and farther, higher and lower, the jellyfish bangs and sways; pulses move slight and quick within it, as the vast diurnal pulses beat in the moondriven sea. Hanging, swaying, pulsing, the most vulnerable and insubstantial creature, it has for its defense
Philip Glass Biography Philip Glass is certainly the world's finest identified living serious composer owing to vast amounts of American recording contracts. He has a readily exclusive, if ever controversial, style that is both imitated and parodied the world over. He is familiar to pop audiences, crossover audiences, new music audiences, opera audiences and increasingly to chamber music audiences and symphony goers. He is in regular performance around the world performing
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