And indeed, this is a man without a country, because he not only doesn't fit in with the white man, he doesn't mesh with the older people within his culture.
The antagonist in this story is the white man's world of greed and "civilization." The values that the white man holds certainly clash with the Indian. The white man's beauty is in palm trees of California (that stand "stiffly" by the roadside while a struggling pine tree on a rocky outcropping is more beautiful), and the white man's beauty is also rows of fruit trees like military men all lined up perfectly. That is a man-made world, made by the antagonist in this story. The antagonist in this story is also the sociology professor "and his professing"; this professor won't have to worry about his student anymore and the student won't have to worry about "some man's opinion of my ideas." Besides, thinking is much easier for the Indian "while looking at dancing flames." And though the Indian was lonely in California, he will never be lonely because he loves "the snow and the pines," and he could never be lonely when the pines "are wearing white shawls and [the] snow crunches underfoot." So he personifies the trees, making them women, and loves the smell of wood smoke coming from chimneys.
A million people live in the city, but they walk around "without seeing one another" and the city itself sucks "the life from all the country around." He puts several of the antagonists in one grouping: "A city with stores and police and intellectuals and criminals..." And so to the...
"Why I live at the P.O." is told in the first person, so its point-of-view is far more unreliable in character than "A Worn Path." The story makes use of a single character's limited point-of-view to derive humor from family conflicts and the narrator's jealousy of Stella-Rondo. Sister's tone is what makes her story unintentionally funny for the reader. The story's irony is derived from her melodramatic view of her
Tom Shulich ("ColtishHum") A comparative study on the theme of fascination with and repulsion from Otherness in Song of Kali by Dan Simmons and in the City of Joy by Dominique Lapierre ABSRACT In this chapter, I examine similarities and differences between The City of Joy by Dominique Lapierre (1985) and Song of Kali by Dan Simmons (1985) with regard to the themes of the Western journalistic observer of the Oriental Other, and
The boy just stood there staring at the pile of clothes and cat food and bows. I went over and asked him if I could do anything but he told me that he was used to it. I wasn't actually all that surprised by his answer. And so I ask myself: Which story of the family are these two telling themselves? Does the boy know that he is Horus and
Myth to Reality The Hidden Meanings of Fables and Parables Since earliest times, human beings have sought to improve the world in which they live. As Man is a social creature, the day-to-day interactions between himself and his fellows take on at least as much importance as his contacts with the natural world. Certain standards of ethics and morality must be maintained if a society is to function smoothly. While the
EDSE 600: History and Philosophy of Education / / 3.0 credits The class entitled, History and Philosophy of Education, focused on the origin of education and the "philosophical influences of modern educational theory and practice. Study of: philosophical developments in the Renaissance, Reformation, and revolutionary periods; social, cultural and ideological forces which have shaped educational policies in the United States; current debates on meeting the wide range of educational and social-emotional
Tapies, Van Gogh, And Munch Antoni Tapies' Composition with Figures (1945) is a work of modern art that uses the impasto technique to create a figurative or symbolic painting. Its style and use of color appear to be inspired by Van Gogh, yet its melancholic tone and expression (most clearly seen in the hollow, hopelessness of the central subject's eyes) appear inspired by Munch. Tapies' Composition comes at the beginning of
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