" Because he believed that that creation followed a cosmic catastrophe and a fall of spiritual beings into matter, Blake discusses Gnosticism, a multi-faceted religious movement that has run parallel to mainstream Christianity (Friedlander, 1999). Unlike most other Gnosticizers, Blake sees the world as a wonderful place, but one that would ultimately give way to a restored universe. For Blake, the purpose of creation is as a place for personal growth,

Tyger Blake's "The Tyger" William Blake is a well-respected English painter, poet, and printmaker whose works went greatly unrecognized during his lifetime, but who has since been recognized as a major contributor to literature and art. Blake was born on November 28, 1757 in London and died on August 12, 1827. Through his work, Blake sought to express his political and religious views and often illuminated these works with illustrations that emphasized

Knowledge and the ability to learn, to think, and to analyze are terrible gifts, this interpretation says, not because they are not useful or powerful but because their power is both so capable of destruction and so limited in comparison with the giver/creator of this knowledge and ability. The clear religious elements of "The Tyger" also have bearing on this message of true knowledge and its fearsome un-attainability. The querying

After this troubling question, the poet throws up his hands, no wiser than before. At the end of this poem of pulsating, drum-beat of questions in a sing-song of nursery rhymes, the poem returns to the beginning. The poetic drum retains the short metrical feet: "Tyger! Tyger! burning bright / in the forests of the night, / What immortal hand or eye/Dare frame thy fearful symmetry?" And the repetition

Blake Poems William Blake, who lived from 1757 to1827, was a deeply religious man who originally trained as an artist, studying first painting and then engraving. He believed that he had received visions of angels in which he held conversations with the angels. He had other visions as well, both of monks and of other historical figures (The Literature Network). His sense of mystery about religion is evident in his poems,

1. First stanza: "Little Lamb, who made thee? / Dost thou know who made thee?" IV. Body paragraph III: Contrast with Tyger A. Ironically, the lion is "commonly known as the protector of the Lamb," (Damon & Eaves 242). B. The lion is "often associated with the Tyger, for they are both forms of wrath: the lion is spiritual wrath, inspired by pity…while the Tyger's blind wrath is purely emotional," (all Damon &