Gone With the Wind offers a somewhat conservative view of Georgia and the South. The South is depicted as something almost royal; slavery is never thought twice about -- it's simply the way things are. Many may contend that Gone With the Wind rivals Griffith's The Birth of a Nation in its depiction of the Reconstruction -- a period when southern whites were victimized by the now freed slaves, who were at one time themselves exploited by carpetbaggers (The New Georgia Encyclopedia 2010). Gone With the Wind must also be seen as more of a melodrama than a piece of historical fiction. The movie doesn't intend to be a historical film, but rather, it aims to tell the story of Scarlett O'Hara and what she will do for Tara -- land. Her father tells her that land is the most important thing one can have in life and because of this Scarlett will find until the end. Another inaccuracy pertaining to Gone With the Wind is the fact that it doesn't even accurately depict what happens in the novel (for example, Scarlett doesn't just have children with Rhett in the novel, she has one child per each husband). One has to remember that much of what they are seeing in the film Gone With the Wind is done with issues such as pace, dramatic effect, and plot as the primary concerns.
For example, the beginning of the mass flight of civilians from Atlanta had to be postdated two months so that Scarlett would be in the city during the siege, deliver Melanie's baby, escape with the aid of Rhett, and arrive at Tara to find her mother dead and her father a broken man. On the other hand the advent of Carpetbag rule...
Competition Aside the need to deal with a shifting workforce, human resource management is impacted by globalization in yet another means. Globalization has allowed corporations to transcend boundaries and benefit from the comparative advantage of countries -- generally cost effective labor force, but also technological superiority or an abundance of natural resources. This increased access to resources further enhanced production capabilities, access to customers and finally, competition. The modern day business
The Birth of a Nation is a bit more explicit in its message but it rings to the same tune -- southern whites are victims of the civil war, not perpetrators. Neither is an accurate portrayal of historical events but rather a symbolic representation of feelings and emotions held by whites in the pre-world war two United States. Historical evidence proves that neither Griffith nor O'Selznick were accurate in their depiction
Irish Renaissance was a literary event at the end of the nineteenth and beginning of the twentieth centuries in which there was a revival of interest in Irish culture, expressed in a literary explosion through writers like William Butler Yeats, J.M. Synge, Sean O'Casey, and James Joyce. This occurred at the same time as the development of a new nationalist sentiment in the country, contributing to increased tensions with the
" 1 January 1802. Library of Congress. 19 September 2010 . Primary source document from the Library of Congress, the original text of the correspondence between Jefferson and the Danbury Baptists. Johnston, P. "A Historical Argument Against the Separation of Church and State." January 2008. Right Remedy. September 2010 . Authored by a clergyman, this website collected quotations from a number of political figures, legal documents, and primary source materials to show that
Mis) representations of African-Americans in film: From the Birth of a Nation onward Recently, the Academy of Motion Pictures awarded 12 Years a Slave the title of Best Picture of the year. However, it is important to remember that the development of American cinema, racism, and the perpetuation of African-American stereotypes in film has a long and ignoble history. In the essay "The Good Lynching and Birth of a Nation: Discourses
Price Beauty? 'For though beauty is seen and confessed by all, yet, from the many fruitless attempts to account for the cause of its being so, enquiries on this head have almost been given up" William Hogarth, The Analysis of Beauty, (1753) Not very encouraging words, but if the great artist William Hogarth felt himself up to the task, we can attempt at least to follow his lead. That beauty is enigmatic
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