We read, "From his high-born comrades; that hand-picked troop / broke ranks and ran for their lives / to the safety of the wood" (256-9). This is obviously an act of disloyalty because the men do not help Beowulf but disappear into the forest for safety. However, one man remains. Wiglaf does not succumb to feat like others do and we are told, "But within one heart/sorrow welled up: in a man of worth/the claims of kinship cannot be denied" (2659-601). The Beowulf poet emphasizes loyalty by having the other men run away. Wiglaf's spirit "did not break" (2628) and he proved to be the bravest of the brave even though he was young and lacked experienced. Here we see how loyalty and honor require an individual to be strong in the face of danger.
The dragons in this story represent the dangers that exist in the world. While they are mythical creatures, they add to the strength of the men because they are fierce and deadly. The Beowulf poet chooses a huge, disgusting dragon to oppose our loyal warriors because the creature is not anything like a man and the contrast cannot be overlooked. Evil exists in the world and the only way to rid the earth of it is to confront it. The chaos of the world is best characterized by something that is larger than life and threatening in every way and by having our warriors destroy this larger-than-life danger, the poet is emphasizing the strength of the men over evil.
Beowulf" is a story that reveals a society that is amazingly dedicated and loyal. We might not think of loyalty, kinship, and strong and brave...
A hero's failure in the face of adversity is more common in the Japanese struggle, perhaps because the author had to make the narrative conform to history, at least in some of its elements. Also, rather than show how the good works of the hero support all good people, even people who are not immediate members of Beowulf's kingdom, "Heike" is a military struggle of 'us vs. them' although
He stated that, "I mean printed works produced ostensibly to give children spontaneous pleasure and not primarily to teach them, nor solely to make them good, nor to keep them profitably quiet." (Darton 1932/1982:1) So here the quest is for the capture and promotion of children's imagination through stories and fables that please as well as enlighten. There is always the fallout that once a child learns to love
The abstract characteristics of Germanic art prior to this work are now relegated to supporting positions and in the midst of the geometric designs and patterns is the figure of St. Mark, preacher of the Gospel of Jesus Christ. The Germanic tribes have thus submitted themselves to the religious and political doctrine of both the Church and its anointed emperor in Charlemagne. The Carolingian Renaissance followed the unification of France
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