Beethoven's Ninth Symphony's untraditional arrangement might have irked performers as well as critics.
Although Beethoven was still venerated by the Viennese public, a follow-up performance of the Ninth Symphony was not well attended or well received. In fact, the second performance of Beethoven's Ninth Symphony brought in a shamefully small crowd: the venue was only half full and ticket sales barely earned the orchestra enough money to cover expenses (Huscher, 2007). The mixed critical and audience responses to his final symphony must have troubled Beethoven and solidified his decision to retire for good.
Some critics came close to panning the premiere, denouncing the musicians for their performances and also the composition itself. The symphony was deemed too difficult to perform, too unwieldy to include in a concert program, and was subsequently shelved for quite some time: for several decades (Huscher 2007). Critics pointed out the cumbersome fourth movement and its attendant choral elements. The fourth movement was so long it seemed like a symphony unto itself. Beethoven's use of vocals might have shocked conservative critics unwelcoming of flexibility in their music.
Yet other critics received the May 7 premiere of the Ninth Symphony favorably, demonstrating the deep respect for Beethoven by acknowledging the difficulties associated with staging a live concert while being unable to hear anything. Even if Beethoven were not hearing impaired, though, the Ninth Symphony would have been received with equal reverence as it has been since its resuscitation by Richard Wagner in the mid-nineteenth century.
The Ninth Symphony was Beethoven's brainchild. Since the composer was in his twenties he had envisioned a symphony that incorporated Schiller's poem. Working it into his symphonies proved impossible and so...
7). It is the only symphony out of the nine for which Beethoven chose the key of a. In form, the symphony is not strikingly different from his previous six symphonies but the way in which the power and the beauty of thoughts have been treated gives it a unique "romantic" air. In the Finale, this 'romance' develops into "a vein of boisterous mirth" that had not been seen
After chronic stomach trouble in 1799, the composer became progressively hard of hearing, and finally completely deaf by 1816. Despite this, he continued enjoying and composing music, enjoying great success until his death in 1827. In contrast to Mozart, he not only had a longer and more successful career than his former mentor, but also a much better funeral. Despite being practically friendless when he died, Beethoven had many
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